[Illustration]
_The barn turned out to be a spaceship in disguise, and
that was only the beginning. Before his strange adventure
ended, young Paul Asher found himself going around in
circles--very peculiar circles indeed!_
DOUBLE TAKE
By Richard Wilson
Illustrated by Paul Orban
_Paul Asher, 27, men's furnishings buyer, leaned back and let the cloth
band be fastened across his chest, just under his armpits. He adjusted
his heavy spectacles, closed his eyes for a moment, breathed deeply, and
was off._
The semi-darkness was dispelled as he shot out of a tunnel into dazzling
sunlight. The high-powered vehicle he was driving purred smoothly as it
took the long, rising curve. The road climbed steadily toward the
mountaintop city ahead. He looked around to satisfy himself that he was
alone in the car.
He wasn't.
The girl was a pretty one. He'd seen her somewhere before, he thought.
She was looking insolently at him, her wide red mouth in a half smile.
Her dark hair stirred in the breeze coming through the window, next to
her, which was open just a slit.
She said: "Just keep going, Sweetheart, as fast as you can." And she
patted the oversized pocketbook that lay in her lap.
He pressed down on the accelerator and the car responded with a flow of
power. The countryside fell away from the road on either side. Far below
he could see a river, winding broadly to the far-off sea. The summer day
sent its heat-shimmers across the miniature landscape.
The road curved again. Theirs was the only car he had seen since he'd
come out of the tunnel. But now, far ahead, he saw another. It was
standing at the side of the road, next to a gate that came down in the
manner of one at a railroad crossing. But he knew by its black and white
diagonals and by the little sentry hut half hidden behind the other car
that it marked the frontier. A man with a rifle on his shoulder stood
there. They drew up to it fast, but his foot automatically eased up on
the floorboard pedal until the girl spoke sharply.
"Right through it, Sweetheart."
In the rear-view mirror he saw her leaning forward, her face tense.
In a moment it would be time to stop, if he were going to.
_Paul Asher hesitated a moment. Then he too leaned forward, the band
pressing into his chest. He was breathing heavily. There was an almost
inaudible click._
He trod on the accelerator. He had a glimpse of the guard unslinging his
rifle from his shoulder and of another man running toward the parked car
as his vehicle smashed into the flimsy gate and sent it, cracked and
splintered, to the side of the road. He fought the slight wrench of the
wheel and sped on. He thought he heard a shot.
"Nice work," the girl said. She seemed to be appraising him as she
looked at him. "My name, incidentally, is Naomi."
"Hello," he heard himself saying as he whipped the car around a curve
that hid the frontier behind a hill. "You seem to know who I am."
"That I do," she said.
Public-domain text, read in full here on John Shaqi.
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