"I don't--that is," said the poor fellow, "I really---- Just wait a
minute! Judge," this in a whisper to his friend, who had reached his
side, "this is terrible! Where do I want to go?--and for the love of
Heaven, where does this hound take my luggage?"
"Your lodgings at the Bellevale House!" returned the judge.
"To my lodgings at the Bellevale House," announced Amidon.
"And say," said the judge, "don't look that way; but the young woman in
the one-horse trap across the way is your intended."
"No!" said Amidon. "I lifted my hat to her--she nodded to me, you
know!"
"The devil!" said the judge; "I'll bet you didn't put any more warmth
than a clam into your manner. Well, you'll have to go over, and she'll
take you up-town, I suppose. Don't stay with her long, if you can help
it, and come to me at the hotel as soon as you can. She's been driving
over to see who got off every New York train ever since I came. Go to
her, and may the Lord be merciful to you! Here are these notes, if you
think they'll help you any--I've added some to 'em since I got down
here."
Amidon waved a contemptuous rejection of the notes, and, casting a
despairing glance at Madame le Claire, walked over toward his fate. He
could have envied the lot of the bull-fighter advancing into the
fearful radius of action of a pair of gory horns. He would gladly have
changed places with the gladiator who hears the gnashing of bared teeth
behind the slowly-opening cage doors. To walk up to the mouths of a
battery of hostile Gatlings would have seemed easy, as compared with
this present act of his, which was nothing more than stepping to the
side of a carriage in which sat a girl, for a place near whom any
unattached young man in Bellevale would willingly have placed his
eternal welfare in jeopardy.
Point by point, the girl's outward seeming met Amidon's eyes as he
neared her. From the platform, it was an impressionistic view of a
well-kept trap and horse, and a young woman wearing a picture-hat with
a sweeping plume, habited in a gown of modish tailoring, and holding
the reins in well-gauntleted hands. As he reached the middle of the
street-crossing, the face, surmounted by dark hair, began to show its
salient features--great dark eyes, strongly-marked brows, and a strong,
sweet mouth with vivid lips. Then came the impression of a form held
erect, with the strong shoulders and arms which come from athletics,
and the roundnesses which denote that superb animal, the well-developed
woman. But it was only as he stood by the side of the carriage that he
saw and felt the mingled dignity and frankness, the sureness and
lightness of touch, with which she acted or refrained from acting; the
lack of haste, the temperateness of gesture and intonation, which
bespoke in a moment that type of woman which is society's finished
product.
Public-domain text, read in full here on John Shaqi.
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