Douris and the Painters of Greek Vases — John Shaqi
Douris and the Painters of Greek VasesPottier, Edmond
History
Douris and the Painters of Greek Vases
Pottier, Edmond
Douris, active 6th century B.C.-5th century B.C.; Vase-painting, Greek
We must naturally picture things in Greece on a modest scale: the
enterprise conducted at less expense than nowadays, the capital
smaller, and the staff reduced to those strictly required. Above
all, it is necessary to remember that the division of labour was
far less marked in ancient times than with us. The same man was
capable of different tasks, he was employed according to his ability
and intelligence. There was nothing of the mechanical spirit, which
nowadays has passed into the man from the machine, and, for the sake
of greater speed and precision, isolates a workman in a corner of
the factory without teaching him anything else. Undoubtedly a social
hierarchy existed and weighed heavily upon the individual; to be
citizen, metic, or slave implied profoundly different conditions of
life, which raised more formidable barriers between classes than with
us. But in the exercise of art or industry the life of the ancients
presents itself under a singularly democratic aspect. Their workmen
shared their mental work far more than ours do, and were familiar with
all the details of the craft. This it is which gives to the industrial
art of the Greeks a marked distinction. No matter how modest the
work, one feels a living intelligence therein. The history of vases
is most suggestive in this respect. We never find the stiffness of
mechanical labour, the monotony of copy repeated to satiety. All
are not masterpieces--far from it. But not one is quite devoid of
individuality, and the best proof that can be given is that two painted
Greek vases exactly identical do not exist.
Whether Douris was metic or citizen, we may think of him as a
craftsman, who by his knowledge and skill had acquired an important
position in the town, and directed one of these flourishing
establishments in the potters’ quarter, near the Dipylon Gate, and just
at the entrance to the Necropolis. His ware helped to carry the fame of
Attic taste into distant lands.
We know that the majority of Greek vases have been gathered from
Etruscan tombs, where they formed the personal property of the dead
after having been used by families at banquets and at religious
ceremonies. Similar finds have been made in many other sites of the
ancient world: in the islands of Sicily, Rhodes, Melos; on the coast
of Africa, in Cyrenaica; in the Thracian Chersonese, even as far as
the Crimea. But nowhere have the finds been richer than in Etruria;
this was the favourite market for Attic ware during the sixth and the
greater part of the fifth century.
Public-domain text, read in full here on John Shaqi.
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