Florida -- Fiction; Immortalism -- Fiction; Science fiction; Walt Disney World (Fla.) -- Fiction
I waved away his objections, causing the runabout to swerve, terrifying
a pack of guests who were taking a ride on rented bikes around the
property. "No," I said, flapping a hand apologetically at the white-
faced guests. "Not at all. But what if all of the animatronics had human
operators -- telecontrollers, working with waldoes? We'll let them
interact with the guests, talk with them, scare them. . . We'll get rid
of the existing animatronics, replace 'em with full-mobility robots,
then cast the parts over the Net. Think of the Whuffie! You could put,
say, a thousand operators online at once, ten shifts per day, each of
them caught up in our Mansion. . . We'll give out awards for outstanding
performances, the shifts'll be based on popular vote. In effect, we'll
be adding another ten thousand guests to the Mansion's throughput every
day, only these guests will be honorary castmembers."
"That's pretty good," Dan said. "Very Bitchun. Debra may have AI and
flash-baking, but you'll have human interaction, courtesy of the biggest
Mansion-fans in the world --"
"And those are the very fans Debra'll have to win over to make a play
for the Mansion. Very elegant, huh?"
#
The first order of business was to call Lil, patch things up, and pitch
the idea to her. The only problem was, my cochlea was offline again. My
mood started to sour, and I had Dan call her instead.
We met her up at Imagineering, a massive complex of prefab aluminum
buildings painted Go-Away Green that had thronged with mad inventors
since the Bitchun Society had come to Walt Disney World. The ad-hocs who
had built an Imagineering department in Florida and now ran the thing
were the least political in the Park, classic labcoat-and-clipboard
types who would work for anyone so long as the ideas were cool. Not
caring about Whuffie meant that they accumulated it in plenty on both
the left and right hands.
Lil was working with Suneep, AKA the Merch Miracle. He could design,
prototype and produce a souvenir faster than anyone -- shirts,
sculptures, pens, toys, housewares, he was the king. They were
collaborating on their HUDs, facing each other across a lab-bench in the
middle of a lab as big as a basketball court, cluttered with logomarked
tchotchkes and gabbling away while their eyes danced over invisible
screens.
Dan reflexively joined the collaborative space as he entered the lab,
leaving me the only one out on the joke. Dan was clearly delighted by
what he saw.
I nudged him with an elbow. "Make a hardcopy," I hissed.
Instead of pitying me, he just airtyped a few commands and pages started
to roll out of a printer in the lab's corner. Anyone else would have
made a big deal out of it, but he just brought me into the discussion.
Public-domain text, read in full here on John Shaqi.
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