Florida -- Fiction; Immortalism -- Fiction; Science fiction; Walt Disney World (Fla.) -- Fiction
The Haunted Mansion was experiencing a major empty spell: the Snow Crash
Spectacular parade had just swept through Liberty Square en route to
Fantasyland, dragging hordes of guests along with it, dancing to the
JapRap sounds of the comical Sushi-K and aping the movements of the
brave Hiro Protagonist. When they blew out, Liberty Square was a ghost
town, and I grabbed the opportunity to ride the Mansion five times in a
row, walking on every time.
The way I tell it to Lil, I noticed her and then I noticed the Mansion,
but to tell the truth it was the other way around.
The first couple rides through, I was just glad of the aggressive air
conditioning and the delicious sensation of sweat drying on my skin. But
on the third pass, I started to notice just how goddamn cool the thing
was. There wasn't a single bit of tech more advanced than a film-loop
projector in the whole place, but it was all so cunningly contrived that
the illusion of a haunted house was perfect: the ghosts that whirled
through the ballroom were _ghosts_, three-dimensional and ethereal and
phantasmic. The ghosts that sang in comical tableaux through the
graveyard were equally convincing, genuinely witty and simultaneously
creepy.
My fourth pass through, I noticed the _detail_, the hostile eyes worked
into the wallpaper's pattern, the motif repeated in the molding, the
chandeliers, the photo gallery. I began to pick out the words to "Grim
Grinning Ghosts," the song that is repeated throughout the ride, whether
in sinister organ-tones repeating the main theme troppo troppo or the
spritely singing of the four musical busts in the graveyard.
It's a catchy tune, one that I hummed on my fifth pass through, this
time noticing that the overaggressive AC was, actually, mysterious
chills that blew through the rooms as wandering spirits made their
presence felt. By the time I debarked for the fifth time, I was
whistling the tune with jazzy improvisations in a mixed-up tempo.
That's when Lil and I ran into each other. She was picking up a
discarded ice-cream wrapper -- I'd seen a dozen castmembers picking up
trash that day, seen it so frequently that I'd started doing it myself.
She grinned slyly at me as I debarked into the fried-food-and-
disinfectant perfume of the Park, hands in pockets, thoroughly pleased
with myself for having so completely _experienced_ a really fine hunk of
art.
I smiled back at her, because it was only natural that one of the
Whuffie-kings who were privileged to tend this bit of heavenly
entertainment should notice how thoroughly I was enjoying her work.
"That's really, really Bitchun," I said to her, admiring the titanic
mountains of Whuffie my HUD attributed to her.
Public-domain text, read in full here on John Shaqi.
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