American literature -- 19th century -- History and criticism; American literature -- Catholic authors -- History and criticism
For years, an ever-shifting shade
The sunshine of thy visage made;
Then, spider-like, the captive caught
In meshes of immortal thought.
E’en so, with half-averted eye,
Day after day I passed thee by,
Till, suddenly, a subtler art
Enshrined thee in my heart of heart.
“Not even the infinite surfeit of Columbus literature of the last six
months can deprive Fr. Tabb’s tribute in Lippincott’s of its sweetness
and light,” says the _Review of Reviews_:
With faith unshadowed by the night,
Undazzled by the day,
With hope that plumed thee for the flight
And courage to assay,
God sent thee from the crowded ark,
Christ bearer, like the dove,
To find, o’er sundering waters dark,
New lands for conquering love.
As a final selection, we may well conclude these brief notes on
a poet with staying powers by quoting a poem, contributed to the
_Cosmopolitan_, called “Silence;” a poem permeated with his fine
spiritual sense:
Temple of God, from all eternity
Alone like Him without beginning found;
Of time, and space, and solitude the bound,
Yet in thyself of all communion free.
Is, then, the temple holier than he
That dwells therein? Must reverence surround
With barriers the portal, lest a sound
Profane it? Nay; behold a mystery!
What was, remains; what is, has ever been:
The lowliest the loftiest sustains.
A silence, by no breath of utterance stirred—
Virginity in motherhood—remains,
Clear, midst a cloud of all-pervading sin,
The voice of Love’s unutterable word.
JAMES JEFFREY ROCHE.
In this age of rondeaus and other feats in rhyme, it is pleasant
to meet with a little book that abhors all verse tricks of the
fin-de-siècle poets, and judiciously follows the old masters. Such
a little book peeps at me from a corner in my library, marked in
capitals, “Poems Worth Reading.” It was given to me years ago by its
author, and as a remembrance, a few lines from the poem that appealed
most to my intellect in those days, was written on its fly-leaf. It was
its author’s first book, and was put forth with that shrinking modesty
that has heralded all meritorious work. Of preface, that relic of
egotism, there was none.
It was dedicated to one who was close to his heart, to
“JOHN BOYLE O’REILLY,
My very dear friend, and an honorable gentleman.”
It had O’Reilly’s warm word to speed and gain it a hearing, a word that
would have remained unwritten were it not that the little volume, of
its own worth, demanded that the word but expressed its merit. Since
those days, it has travelled and found a ready home. Its gentle humor
has made it quotable in the fashionable salons, its quaintness tickled
the lonely scholar, stinging notes against wrong and its brilliant
biting to the very core of silk-dressed sham, bespoke a hearty welcome
in the haunts of the poor and oppressed.
Public-domain text, read in full here on John Shaqi.
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