American literature -- 19th century -- History and criticism; American literature -- Catholic authors -- History and criticism
He paints it as essentially pagan, albeit it was essentially
Catholic. A padre makes him sniff the air and paw ungraciously. The
ceremonies of the church are so many pagan rites. Cable belongs to
the school that contemns what it does not understand. His pictures of
Creole life are untrue, and much as they were in vogue some years ago,
are passing to the bourne of the forgotten. Johnston, although a living
Catholic, fond of his church, and wedded to her every belief, draws
an itinerant preacher of the Methodists with as much enthusiasm and
sympathy as he would the clergy of his own church. He has no dislikes,
nothing that is of man but interests this sunny-hearted romancer of the
old South.
Strange as it may seem, the knowledge of his wonderful power of
story-telling came late and in an accidental way. It is best described
in his own words. “Story-writing,” said the Colonel, “is the last
thing for me in literature. I had published two or three volumes on
English literature, and in conjunction with a friend had written a
life of Alexander Stephens, and also a book on American and European
literature, but had no idea of story-writing for money. Two or three
stories of mine had found their way into the papers before I left
Georgia. I had been a professor of English literature in Georgia, but
during the war I took a school of boys. I removed to Baltimore and took
forty boys with me and continued my school. There was in Baltimore, in
1870, a periodical called the _Southern Magazine_. The first nine of my
Dukesborough Tales were contributed to that magazine. These fell into
the hands of the editor of _Harper’s Magazine_, who asked me what I got
for them. I said not a cent, and he wanted to know why I had not sent
them to him. ‘Neelers Peeler’s Conditions’ was the first story for
which I got pay. It was published in the _Century_, over the signature
of Philemon Perch. Dr. Holland told Mr. Gilder to tell that man to
write under his own name, adding that he himself had made a mistake in
writing under a pseudonym. Sydney Lanier urged me to write, and said
if I would do so he would get the matter in print for me. So he took
‘Neelers Peeler’s Conditions,’ and it brought me eighty dollars. I was
surprised that my stories were considered of any value. I withdrew from
teaching about six years ago, and since that time have devoted myself
to authorship. I have never put a word in my book that I have not heard
the people use, and very few that I have not used myself. Powelton,
Ga., is my Dukesborough. I was born fourteen miles from there.
Public-domain text, read in full here on John Shaqi.
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