All trace of the tribe and of their dwelling is swept away; only the
grand old trees marked by the finger of passing ages still stand, with
gnarled and knotted trunks, quivering leaves, and withering branches, as
though they were struggling in their death agony, and must soon lie low,
with the rest of earth’s perishable things. Only a stretch of fancy, and
we see Captain Smith surrounded by swarms of threatening faces, passing
under their green vigorous branches, as he believes, to a barbarous
death.
Before descending the hill, we make a tour of inspection around the
splendid groups of statuary which adorn the gardens. First in public
favour and in general interest stands the Washington monument; a
gigantic and finely executed equestrian figure of George Washington,
mounted on an imposing granite column, rising from a star-shaped base;
beneath and around him, standing on separate pillars, are the full sized
figures of Patrick Henry, Thomas Jefferson, and sundry other heroes and
statesmen of past days; but of later and fresher interest, is the bronze
statue said to be a life-like portrait of Stonewall Jackson. This fine
production is believed to be the last and best work of the celebrated
English sculptor Foley; it bears the following inscription:--
“Presented by English gentlemen as a tribute of admiration for the
soldier and patriot, Thomas J. Jackson, and gratefully accepted by
Virginia in the name of the Southern people. Done A.D. 1875, in the year
of the Commonwealth.” “_Look! There is Jackson, standing like a stone
wall._”
Yes; there he stands to-day, in dark and strong relief against the
burning blue of his own Virginian skies! Stands, every inch a chief, as
he will stand for ever shrined in the hearts of the Southern people--a
monument of all that is staunch and true in human kind; not more
immovable now upon his marble pedestal, than at that hour when the ranks
of his men in grey stood like granite under the Federal fire. In the
Capitol library hangs the Confederate flag, dusty and battle-worn,
proudly pointed out to strangers, and regarded with reverence by those
who followed it, and saw it flutter through the smoke of battle. Round
the library walk are ranged the portraits of the great Southern leaders.
Here is the noble and thoughtful face, “the good grey head that all men
knew,” of General Lee, and there the dark stern brow of Stonewall
Jackson; and here is Jefferson Davis, and many other statesmen and
patriots of the fallen Confederacy.
An ardent Virginian accompanied us on our tour through his beloved city;
with lingering eyes, he gazed tenderly upon the figure of the general
who had led them through so many fires.
Public-domain text, read in full here on John Shaqi.
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