Omnibuses and cars of all description are in waiting at the station, and
in a very short time we are driving through the up and down streets of
this quaint old city to the Hotel St. Charles, where we take our rest.
CHAPTER XVII.
New Orleans, “The Paris of the South.”--French quarters.--Tropical
street scene.--To Carrolton.--The Levées.--Classical
architecture.--A coloured funeral.--The dismal swamp.--Lake
Ponchartrain.--A gambling population.
The Hotel St. Charles is a very fine impressive building in the centre
of the city of New Orleans. It is of white stone, and the simple
colonnaded front, with its tall straight fluted columns, gives it quite
a classical appearance. It is the best hotel in the town, but it might
be better; it has spacious corridors, and handsomely furnished rooms,
but the cuisine is not so good as it should be in an hotel of such
pretensions, the table is poorly served, and it is wanting in that
liberality which is characteristic of the South. The service is very
scanty; one servant seems to have to do the work of six. Our waiter was
a simple biped--a mere man, when he ought to have had as many arms and
legs as a devil fish; he had need of them, he was always wanted here,
there, and everywhere, and seemed to flash about on invisible telegraph
wires.
We start in the early morning on a pedestrian excursion through this
“Paris of the South.” We almost fancy that we have gone to sleep in the
new world, and woke up in the old fair and familiar city across the sea.
It is the same, yet not the same; there is a similarity in the general
features, especially in the vicinity of Canal Street, to which I shall
allude more fully by and by, and an insouciant gaiety in the aspect of
the people, which pervades the very air they breathe; an electric
current seems always playing upon their spirits, moving their emotional
nature, sometimes to laughter, sometimes to tears. It seems as though
the two cities had been built on the same model, only differently draped
and garnished, decorated with different orders, and stamped with a
different die. Coming down a narrow lane, we met a typical old
Frenchwoman, her mahogany coloured face scored like the bark of an old
tree scarcely visible beneath her flapping sun-bonnet. She wore short
petticoats, and came clattering along over the rough stones in her
wooden sabots, while her tall blue-bloused grandson carrying her
well-filled basket strode beside her; and a meek eyed sister of charity
bent on her errand of mercy passed in at a creaking doorway. These were
the only signs of life we saw as we first turned on our way to the
French quarter of the town, which still bears the impress of the old
colonial days. This is the most ancient portion of the city, and full
of romantic traditions of the days that are dead and gone. The long,
narrow, crooked streets, running on all sides in a spidery fashion, with
rows of shabby-looking houses, remain exactly as they were a hundred
Public-domain text, read in full here on John Shaqi.
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