The dark river is rushing beneath the foot-bridge at our feet; and on
our right the foaming flood is lighted by the fading fires of the still
burning wreck of the railway bridge. The whole structure is down, and
the huge beams lying like fiery serpents on the river’s surface, now
smouldering in red sullen fires, then up-leaping in tiny flickering
tongues of blue flame, licking round and feeding upon every remnant that
remains of the bridge that only at noon had stood proud and strong
against the sky, its iron limbs spanning the dark water. It had been
supported by twelve brick pillars, which are still left standing; each
one wearing its crown of jewelled flames, burning in lurid flashes, like
altars of the Eastern fire-worshippers, or beacon lights at sea, showing
the gloomy gaps between, whence the burning masses had fallen into the
sea. These colossal pillars blazing in the darkness, between the sable
shadows of the river, and the moonless midnight of the sky, threw a
light bright as the brightest day around us. On both banks of the broad
river, before and behind us, rise the gaunt ruins that were prosperous
factories in the morning, now mere blackened shells, yet picturesque and
radiant in the soft golden ruddy glow of the beautiful cruel flames,
that still lick and twist serpent-like in and out of the empty window
frames. Successful commonplace prosperity at noon, they are transfigured
into resplendent ruin at night. Well, the train awaited us on the
opposite side, and there the owners of the destroyed property were
already talking together, planning the rebuilding of their factories
with improvements; wasting no words in useless regrets; they were
scheming, and in their mind’s eye reconstructing the works, while the
ruins still smouldered before their eyes.
Public-domain text, read in full here on John Shaqi.
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