The houses in these out-of-the-way parts of the town are old-fashioned, odd-looking places, some so crippled in their lower limbs as to need the support of strong oaken beams, or patches of bricks and mortar; some are rickety in their upper stories, and lean affectionately on one side so as to support themselves on the strength of their neighbours, as weaker human creatures are apt to do. Everything seems pining for a fresh coat of paint; but they do their best to conceal their need of it, covering themselves with creeping plants or tawdry hangings, hiding their discolorations and bruises with gorgeous hued flowers, and clasping their green mantle round them as we may have seen an aristocratic beggar draw his robe across his breast to hide his rags and tatters. Occasionally, in some obscure corner of the city, we come upon a rambling old mansion of quaint, picturesque architecture, once the home of refinement and wealth, where the great ones of the country lived in a state of ease, luxury, and almost feudal splendour. It is occupied now by hosts of coloured folk; swarms of black babies crowd the verandahs or climb and tumble about the steps and passages, while the dilapidated balconies are filled with lines of clothes to dry; the negro smokes his pipe beneath the eaves, and the women folk, with their heads turbanned in gay-coloured handkerchiefs, laugh and chatter from the windows and lounge in the doorways. How long ago is it since the clank of the cavaliers’ spurs rang upon the crumbling pavement, and sweet ladies with their pretty patched faces laughed from the verandahs, while merry voices and music and hospitality echoed from the now dingy, time-dishonoured halls, and stately dames in the decorous dress and manners of the old days walked to and fro, adding by their gracious presence to the attraction of the festive scene? But these good old days are over; no imperious dames, in stiff brocades and jewelled slippers, pace the wide corridors, or dance the graceful minuet upon the floor; there is no sound of flute and tabor now, but the many sounding notes of labour, the tramp of busy hives of working men and women, and the plaintive voices of the negroes singing is heard instead of it, and who shall say which makes the better music? It was on the balcony of one of those houses Jane Elliot stood to see her lover, William Washington, march past with his cavalry regiment on their way to the war, more than a century ago. Drums beat and bugles sounded, and as the gallant men marched on she observed they had no flag! For a few brief moments they halted beneath her window while with her own hands she tore the crimson brocade back from one of her drawing-room chairs, and improvised a banner, which they triumphantly bore away, marching double quick time to the tune their hearts were playing.