Passing through this silent world, we find ourselves in a wide white
street which runs through the Catholic cemetery from east to west, in
the centre and at the highest point of which stands a gigantic black
cross. Cedar and ash and willow trees are growing in picturesque masses;
green shrubberies refresh the sight, and rich red and cream roses are
blooming everywhere. The grave gardens here are laid out in various
shapes and sizes--square, circular, triangular, &c.--like a geometrical
puzzle spread over the ground. The simplest grave has a cross above it,
sometimes of wood, of iron, or of stone; the symbol of Christianity, as
though growing out from the hearts of the sleepers, is lifted on all
sides.
The sun is shining, the sweet air blowing, and a look of serene calm and
most perfect peace is smiling everywhere. How the vexed and troubled
folk, who wander here to get away from the busy, noisy world, must long
to creep down under the roses and hide from this world’s noisy strife,
and lie beside the sleeper under the sod, with hands crossed, eyes
closed, at rest for ever more. Here is a grave covered with
“forget-me-nots,” and a cry--a hard, cold cry--written in stone, craving
to be “kept green in men’s memories;” as though the dead could hope to
be remembered, when _we_ who are living have to lift up our voices and
struggle to the front that we may not be forgotten even while we live!
Tall costly shafts of granite, wreathed with everlasting flowers, prick
the skies, and elaborate architectural designs are erected here and
there; one has brass cannon at the gates and sabres crossed upon the
threshold, pointing the way the sleeper took to his death. After
wandering about for some time we sit down to rest under a cedar tree,
luxuriating in the sweet scent and bright colour of the waving
flowerbeds, quite alone, as we thought, till a voice rather suggestive
of “beer and skittles” came out of the silence:
“Nice weather, marm; things is sort o’ springin’ up everywheres, and
some on ’em is full blowed, ain’t they?”
I look up; the owner of the voice has evidently just sidled round from
the other side of the tree. He is an elderly man, with a ragged beard
and patched clothing--the forlorn and decaying remnants of military
glory; his face has a sodden, dissipated look, and his eyes a weak
gin-and-watery appearance, anything but prepossessing. He was not
exactly a nice kind of human ghoul to meet in such a solitary spot. I
answered with an assenting smile or some kind of commonplace cheap
civility, which evidently satisfied him, for he edged a little nearer,
adding philosophically--
“Yes, it takes a good deal o’ sunshine to set things a startin’ out;
sometimes I think I’d as lief be lyin’ down there in the dark as
starvin’ up here in the sunshine--leastways the sun don’t always shine,
not on me. I’ve been a soldier, marm,” he added with a slightly Irish
accent, “and done my duty on many a gory field, and--oh! a--ah!”
Public-domain text, read in full here on John Shaqi.
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