Our attendant unlocks and throws open a door, flourishes a tiny lamp
above his head, then, with an extra flourish, sets it on the table,
inquiring with a hoarse voice, as though he had just made a meal of
sawdust, “do we want anything more”; as we had had nothing we could not
very well require any more of it. By the light of our blinking lamp we
inspect our apartment, which is at least amply supplied with beds; there
are three of them, each of Brobdignagian proportions--rivals to the
great bed of Ware--they fill the room to overflowing and seem struggling
to get out of the window. We are soon lost in a wilderness of feathers
and wandering through the land of Nod. It seems to me that the worst
room in the house is always reserved for the punishment of late
arrivals, which is bad diplomacy on the part of hotel proprietors, as it
frequently drives their guests away in search of better quarters. It
might have been so with us; but the next morning our smiling host
appears and ushers us into a delightful suite of rooms on the ground
floor, opposite the gardens of the Capitol, where the playful squirrels
are so numerous and so tame that they will come jumping across the road
to your windows to be fed, take nuts from your hand, and sit demurely by
your side and crack them.
CHAPTER II.
To-day and the yesterdays.--Richmond.--Its monuments.--Its
surroundings.--The sculptor’s studio.--Andromache.
It is at Richmond we get our first view of the South and the Southern
people. Although we are only twelve hours from the booming, hustling
city of New York, yet we feel we have entered a strange land. The
difference is not so much in mere externals, as that the whole character
of life is changed, and from all sides it is borne upon us that we are
in the land of a “lost cause;” it impregnates the very air we breathe,
and is written on the grave earnest faces of the people; it reveals
itself everywhere and in everything.
Public-domain text, read in full here on John Shaqi.
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