Australia -- Description and travel; New Zealand -- Description and travel; Windsor, Edward, Duke of, 1894-1972
Visits to the wonderful spouting geysers of this famous neighbourhood,
with Maori receptions and national dances, occupied the next two days,
some of the party also taking advantage of the holiday to catch a number
of very fine lake-trout, creatures which have thriven and multiplied
amazingly since their importation from Great Britain a few years ago.
The Maori dances are a thing by themselves. They are performed by
warriors and maidens in phalanxes. The men, often stout and sometimes
elderly, who in ordinary life may be lawyers, landlords, doctors, or
retail dealers, put patches of black paint on their faces, array
themselves in tassellated _pui-pui_ mat loin-clothes and arm themselves
with slender feather-tufted spears. Then, bare-footed, bare-legged,
bare-backed, and bare-headed, they line up in battalions, and leap and
stamp, stick their tongues out, grimace, slap their knees, emit volleys
of sharp barking shouts, and thrust and swing their spears, in wonderful
time to the music of full string bands. The ladies, many of them
good-looking, with melting brown eyes, well-developed figures, and
graceful carriage, are more restrained in their performances. They are
bare-headed, with long waving hair down their backs, kept in place by a
coloured ribbon round the forehead. They may be dressed in voluminous
brown cloaks of soft _kiwi_ feathers, or in loose, embroidered draperies
of every colour, their feet and ankles, sometimes bare, sometimes
encased in high-heeled American shoes and black lace stockings. They
stand or sit in long lines, singing the softest of crooning songs, the
while swaying, posturing, undulating, or step-dancing in perfect unison,
to represent the movement of paddling, spinning, weaving, swimming, or
setting sail. At the same time they swing white _poi_-balls, the size of
oranges, attached to strings, which form in their swift gyrations gauzy
circles of light around each hand, a charming performance worthy of
Leicester Square.
Public-domain text, read in full here on John Shaqi.
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