Dr. Arne and Rule, BritanniaCummings, William Hayman
History
Dr. Arne and Rule, Britannia
Cummings, William Hayman
Arne, Thomas Augustine, 1710-1778
In this month, December 11-14, the _Journal_ made an announcement of
considerable importance: "Mr. Swan being desirous to entertain the Town
in the best manner possible, has contracted with Mr. Arne, for Mrs.
Arne, Mrs. Baildon, Mrs. Sybilla, and other singers belonging to him,
to perform in the Masque of Comus, written by Milton, and set to Musick
by Mr. Arne. The Choruses will be properly performed, and Mr. Arne will
accompany the Performance, which will be exhibited on Monday next,
being the 10th inst. Jan. N.B. The Orchestra will be doubled, and there
will be a Row at the Pit enclosed for the Musick." The same _Journal_
of the 4-8th January, 1743, gave more details: "By His Majesty's
Company of Comedians, at the Theatre Royal in Aungier-street, on Monday
next, being the 10th inst. Jan. will be performed a Dramatick Masque
called Comus, written by Milton. The Musick, vocal and instrumental,
composed by Mr. Arne. The Part of Comus, by Mr. Swan; a pastoral Nymph,
and the Part of Sabrina, by Mrs. Arne; the principal Bacchanal, by
Mrs. Baildon, from London; the Lady's Song (Sweet Echo) by Mrs. Arne,
accompany'd by Mr. Neal, from England, who performed it originally;
the second pastoral Nymph by Mrs. Sybilla, a Scholar of Mr. Arne's;
the Part of Euphrosyne to be performed by Miss Davis. With all the
Choruses performed in Parts, as originally in England, and never done
here before. The original Prologue to be spoke by Mr. Swan, and the
Epilogue by Mrs. Furnival. A Row of the Pit will be taken into the
Orchestra, there being an extraordinary Band of Musick provided on
this occasion. The whole conducted by Mr. Arne, who accompanies the
Performance on the Harpsichord. With new Habits, Scenes, Machines,
Risings, Sinkings, Flyings, and other Decorations. It is hoped it
will not be taken ill, that none can be admitted behind the Scenes.
N.B. This Performance being exhibited at a much greater Expense than
any Theatrical Entertainment in this Kingdom, we are obliged to lay
the Pit and Boxes together at 5s. 5d. Lattaces, 5s. 5d. Gallery, 2s.
8d. halfp." The foregoing advertisement is brim full of interesting
matter; we see that Mr. Arne was a tower of strength; that Mr. Neal was
the solo flautist at the first performance of "Comus," in Drury Lane
Theatre; the choruses, performed in parts, were taken from Handel, as
in London; also that Mr. Arne conducted and accompanied, according to
the fashion of the day, at the harpsichord. The artistic venture of
Mr. Swan met with due reward; "Comus" was successfully repeated on the
13th, 20th, and 24th of January, and again on the 8th of February for
the benefit of Mr. Swan; finally, on the 21st of April, Mr. Neal took
a benefit at the Smock Alley Theatre on the 1st of February, when he
exhibited his versatility; the _Journal_ announced "Between the Acts,
Mr. Neale will perform a Solo and Concerte on the Hautboy, with a
Piece on the German Flute. Mr. Charles and his Second will perform a
Public-domain text, read in full here on John Shaqi.
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