Mills and mill-work -- Management -- Drama; New England -- Drama; Veterans -- United States -- Drama; World War, 1914-1918 -- Drama
TIMOTHY. Have patience, sir. I know ye've a kind heart, and that ye've
always acted according to your light, the same as me. But there's more
light now, sir,--it's shining through the darkness, brighter than the
flashes of the cannon over there. In the moulding room just now it seems
to break all around me, and me crying like a child because the boy was
gone. There was things I hadn't seen before or if I saw them, it was
only dim-like, to trouble me (ASHER turns away) the same as you are
troubled now. And to think it's me that would pity you, Mr. Pindar! I
says to myself, I'll talk to him. I ain't got no learning, I can't find
the words I'm after--but maybe I can persuade him it ain't the same
world we're living in.
ASHER. I was ready to recognize that. Before they came to me this
morning I had made a plan to reorganize the shops, to grant many
privileges.
TIMOTHY. You'll excuse me, sir, but it's what they don't want,--anyone
to be granting them privileges, but to stand on their own feet, the same
as you. I never rightly understood until just now,--and that because I
was always looking up, while you'd be looking down, and seeing nothing
but the bent backs of them. It's inside we must be looking, sir,--and
God made us all the same, you and me, and Mr. George and my son Bert,
and the Polak and his wife and childher. It's the strike in every one of
us, sir,--and half the time we'd not know why we're striking!
ASHER. You're right there, Timothy
TIMOTHY. But that makes no difference, sir. It's what we can't be
reasoning, but the nature in us all--
(He flings his arm toward the open windows.)
--like the flowers and the trees in the doctor's garden groping to the
light of the sun. Maybe the one'll die for lack of the proper soil, and
many is cruelly trampled on, but the rest'll be growing, and none to
stop 'em.
ASHER (pacing to the end of the room, and turning). No, I won't listen
to it! You--you ask me to yield to them, when you have lost your son,
when they're willing to sacrifice--to murder my son on the field of
battle?
(He pauses and looks toward the doorway, right. DR. JONATHAN
standing there, holding in his hand a yellow envelope. ASHER
starts forward.)
A telegram? For me?
DR. JONATHAN. Yes, Asher.
(After giving it to ASHER, DR. JONATHAN takes his stand beside
MINNIE, who is at the back of the room, near the bench. He lays a
hand on her arm. ASHER tears open the envelope and stares at the
telegram, his hands trembling.)
ASHER (exclaiming, in a half whisper). George!
AUGUSTA. Oh Asher, not--not--!
(She reaches for the telegram. He gives it to her. She reads.)
“Captain George Pindar severely wounded, condition critical.”
TIMOTHY. Please God he'll be spared to ye!
CURTAIN.
ACT III
SCENE: Same as in Act I, the library of ASHER PINDAR'S house.
Public-domain text, read in full here on John Shaqi.
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