Dr. Lavendar's PeopleDeland, Margaret Wade Campbell
General
Dr. Lavendar's People
Deland, Margaret Wade Campbell
Clergy -- Fiction; Pennsylvania -- Fiction; United States -- Social life and customs -- Fiction; Villages -- Fiction
Produced by Al Haines
[Frontispiece: "'I HAVE A PRESENT FOR YOU--A SISTER'" See p. 45]
DR. LAVENDAR'S PEOPLE
BY
MARGARET DELAND
AUTHOR OF "OLD CHESTER TALES"
ILLUSTRATED BY
LUCIUS HITCHCOCK
NEW YORK AND LONDON
HARPER & BROTHERS PUBLISHERS
1903
Copyright, 1903, by HARPER & BROTHERS.
_All rights reserved._
Published October, 1903.
TO
DR. FRANCIS B. HARRINGTON
These Stories are
Dedicated
CONTENTS
The Apotheosis of the Reverend Mr. Spangler
The Note
The Grasshopper and the Ant
Amelia
"An Exceeding High Mountain"
At the Stuffed-Animal House
ILLUSTRATIONS
"I HAVE A PRESENT FOR YOU--A SISTER'" . . . . . . _Frontispiece_
"DAVID'S HEAD SWAM"
"SHE ALWAYS CAME INTO THE LIBRARY TO SAY GOOD-NIGHT TO HIM"
"LURCHED FORWARD INTO A CHAIR, BREATHING LOUDLY"
"MRS. BARKLEY ROSE, TAPPING THE TABLE WITH ALARMING LOUDNESS"
"MISS LYDIA, WATCHING HIM, GREW PALER AND PALER"
"THERE SHE TURNED AND LOOKED BACK"
"THOMAS DILWORTH GOT ON HIS FEET AND SWORE"
"'WHAT IS THE NAME OF THE KIND PERSON?'"
"SHE KNELT DOWN, AS USUAL, AT THE BIG CHINTZ-COVERED WINGED CHAIR"
MISS HARRIET WAS LEANING FORWARD
"'A HAPPY SLEEP,' MISS ANNIE REPEATED"
THE APOTHEOSIS
OF THE
REVEREND MR. SPANGLER
I
Miss Ellen Baily kept school in the brick basement of her old frame
house on Main Street.
The children used to come up a flagstone path to the side door, and
then step down two steps into an entry. Two rooms opened on this
entry; in one the children sat at small, battered desks and studied; in
the other Miss Baily heard their lessons, sitting at a table covered
with a red cloth, which had a white Grecian fret for a border and
smelled of crumbs. On the wall behind her was a faded print of
"Belshazzar's Feast"; in those days this was probably the only feasting
the room ever saw--although on a thin-legged sideboard there were two
decanters (empty) and a silver-wire cake-basket which held always three
apples. Both rooms looked out on the garden--the garden and, in fine
weather, _Mr. David Baily!_ ... Ah, me--what it was, in the dreary
stretches of mental arithmetic, to look across the flower-beds and see
Mr. David--tall and dark and melancholy--pacing up and down, sometimes
with a rake, oftener with empty hands; always with vague, beautiful
eyes fixed on some inner vision of heart-broken memory. Miss Ellen's
pupils were confident of this vision because of a tombstone in the
burial-ground which recorded the death of Maria Hastings, at the
romantic age of seventeen; and, as everybody in Old Chester knew, Mr.
Baily had been in love with this same seventeen-year-old Maria. To be
sure, it was thirty years ago; but that does not make any difference,
"_in real love_," as any school-girl can tell you. So, when David
Baily paced up and down the garden paths or sat in the sunshine under
the big larch we all knew that he was thinking of his bereavement.
Public-domain text, read in full here on John Shaqi.
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