Dr. Lavendar's PeopleDeland, Margaret Wade Campbell
General
Dr. Lavendar's People
Deland, Margaret Wade Campbell
Clergy -- Fiction; Pennsylvania -- Fiction; United States -- Social life and customs -- Fiction; Villages -- Fiction
And then the girls would declare that they must be told just what
father said when he was sixteen and mother was twelve. But Thomas drew
the line at that. "Come! come! you mustn't talk about love-making. As
for marrying, I don't mean to let you girls get married at all. And
Ned here had better not let me catch him thinking of such nonsense
until he's twenty-five. He can get married (if I like the girl) when
he is twenty-eight."
"You got married at twenty-two, sir," Edwin demurred.
"If you can find a woman like your mother, you can get married at
twenty-two. But you can't. They don't make 'em any more. So you've
got to wait. And remember, I've decided not to let Mary and Nancy get
married, ever. I don't propose to bring up a brace of long-legged
girls, and clothe 'em and feed 'em and pay their doctors' bills, and
then, just as they get old enough to amount to anything and quit being
nuisances, hand 'em over to another fellow. No, sir! You've got to
stay at home with me. Do you understand?"
The girls screamed at this, and flung themselves upon him to kiss him
and pull his hair.
No wonder Old Chester was shocked.
Yet, in spite of such happenings, Thomas and Amelia Dilworth were of
the real Old Chester. They were not tainted with _newness_--that sad
dispensation of Providence which had to be borne by such people as the
Macks or the Hayeses, or those very rich (but really worthy) Smiths.
The Dilworths were not new; yet their three children had the
training--or the lack of training--that made the Hayes children and
their kind a subject for Old Chester's prayers.
"Who can say what the result of Milly Dilworth's negligence will be?"
Mrs. Drayton said, sighing, to Dr. Lavendar; who only reminded her that
folks didn't gather thistles of figs--generally speaking.
Public-domain text, read in full here on John Shaqi.
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