Dr. Lavendar's PeopleDeland, Margaret Wade Campbell
General
Dr. Lavendar's People
Deland, Margaret Wade Campbell
Clergy -- Fiction; Pennsylvania -- Fiction; United States -- Social life and customs -- Fiction; Villages -- Fiction
In this bleak air of unselfishness and truth-telling, Robert Gray
became more and more aloof. Gradually he retreated quite into his
past, doing his daily work at the Academy--where successive classes of
young ladies adored him for his gentle manners and his mild, brown
eyes--and living very harmlessly with his memories, which he kept fresh
and fragrant by sharing them with Alys's daughter, who, it must be
admitted, being young and human, was not always intensely interested;
but Rebecca had trained her too well for Alice ever to show any
weariness. Robert kept his little collection of pictures and
photographs of his first wife shut behind the curtained doors of an old
secretary. If his second wife found him standing, his hands clasped
behind him, his eyes wandering from one lovely presentment to another,
he never displayed an embarrassed consciousness, but he shut the doors.
He accepted Rebecca's devotion respectfully; he was never impolite,
still less unkind; in fact, in all their married life he had never, she
used to tell herself, spoken unkindly save once; and then his words
were nothing more dreadful than, "We will not discuss it, if you
please, Mrs. Gray." At first he had, very gently, made some
grammatical suggestions; and she had profited by them, though, being a
true Pennsylvanian, she never mastered "shall" and "will," nor did she
lose the Pennsylvania love for the word 'just'; to the end of her days,
Rebecca was 'just tired out'; or 'just real glad'; or 'just as busy as
could be.' Grammar, however, was as far as Robert Gray went in any
personal relation. He addressed her, in his courteous voice (always a
little timidly), as "Mrs. Gray"; and he kept as much as possible out of
her way. Meantime, Rebecca (remembering why he had married her) did
her duty by the child, and never failed to mention, in her hard voice,
that Alice must try to grow up like her mother.
"Make me a good girl," Alice used to say in her sleepy prayers every
night--"make me a good girl, like my dear mother." Once, of her own
accord, the child added, "And make me pretty like her, too." Rebecca,
listening to the little figure at her knee, said, sternly, when Alice
got up and began to climb into the big four-poster:
"Don't be vain. Don't ask God for foolish things. Beauty is foolish
and favor is deceitful. Just ask Him to make you as good as your
mother was."
And, indeed, it must be admitted that the child did not inherit her
mother's wonderful beauty. At first her father had expected it; he
used to take liberties with his Horace, and say:
"O filia pulchra matre pulchriore."
Public-domain text, read in full here on John Shaqi.
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