New Orleans (La.) -- Social life and customs -- 19th century -- Fiction; Physicians -- Fiction
Richling called attention to the word painted on a board. He merely
pointed to it in playful silence, and then let his hand sink and rest
on hers as it lay in his elbow. They were walking under the low boughs
of a line of fig-trees that overhung a high garden wall. Then some gay
thought took him; but when his downward glance met the eyes uplifted to
meet his they were grave, and there came an instantaneous tenderness
into the exchange of looks that would have been worse than uninteresting
to you or me. But the next moment she brightened up, pressed herself
close to him, and caught step. They had not owned each other long enough
to have settled into sedate possession, though they sometimes thought
they had done so. There was still a tingling ecstasy in one another's
touch and glance that prevented them from quite behaving themselves when
under the moon.
For instance, now, they began, though in cautious undertone, to sing.
Some person approached them, and they hushed. When the stranger had
passed, Mary began again another song, alone:--
"Oh, don't you remember sweet Alice, Ben Bolt?"
"Hush!" said John, softly.
She looked up with an air of mirthful inquiry, and he added:--
"That was the name of Dr. Sevier's wife."
"But he doesn't hear me singing."
"No; but it seems as if he did."
And they sang no more.
They entered a broad, open avenue, with a treeless, grassy way in the
middle, up which came a very large and lumbering street-car, with
smokers' benches on the roof, and drawn by tandem horses.
"Here we turn down," said Richling, "into the way of the Naiads." (That
was the street's name.) "They're not trying to get me away."
He looked down playfully. She was clinging to him with more energy than
she knew.
"I'd better hold you tight," she answered. Both laughed. The nonsense of
those we love is better than the finest wit on earth. They walked on in
their bliss. Shall we follow? Fie!
They passed down across three or four of a group of parallel streets
named for the nine muses. At Thalia they took the left, went one square,
and turned up by another street toward home.
Their conversation had flagged. Silence was enough. The great earth was
beneath their feet, firm and solid; the illimitable distances of the
heavens stretched above their heads and before their eyes. Here was Mary
at John's side, and John at hers; John her property and she his, and
time flowing softly, shiningly on. Yea, even more. If one might believe
the names of the streets, there were Naiads on the left and Dryads on
the right; a little farther on, Hercules; yonder corner the dark
trysting-place of Bacchus and Melpomene; and here, just in advance,
the corner where Terpsichore crossed the path of Apollo.
Public-domain text, read in full here on John Shaqi.
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