Not to the church, however, was his attention directed, but to the
house immediately opposite to it. A big, red-faced, old-fashioned
house, fresh painted and pointed, with plate-glass windows in its lower
stories, and bronzed knockers, and shining bell-pulls, looking like a
portly dowager endeavouring to assume modern airs and graces. Carriages
kept driving up, and depositing old and young ladies, and the door, on
which was an enormous brass plate with "Madame Clarisse," in letters
nearly half a foot long, was perpetually being flung open by a page
with a very shiny face, produced by a judicious combination of yellow
soap and friction--a page who, in his morning-jacket ruled with red
lines, looked like a page of an account-book. Paul Derinzy knew many of
these carriage-brought people--for Madame Clarisse was the fashionable
milliner of London, and had none but the very greatest of fine ladies
in her _clientèle_--and many of them knew him; but on the present
occasion he carefully shrouded himself from observation behind one of
the pillars of the church portico. There he remained in an agony of
impatience, fidgeting about, looking at his watch, glaring up at the
bright-faced house, and anathematising the customers, until the clock
in the church-tower above him chimed the half-hour past two. Then he
became more fidgety than ever. Before, he had taken short turns up and
down the street, always returning sharply to the same spot, and looking
round as though he had expected some remarkable alteration to have
taken place during his ten seconds' absence; now, he stood behind the
pillar, never attempting to move from the spot, but constantly peering
across the way at Madame Clarisse's great hall-door.
Within five minutes of the chiming of the clock, the great hall-door
was opened so quietly that it was perfectly apparent the demonstrative
page was not behind it. A young woman, simply and elegantly dressed
in a tight-fitting black silk gown, and a small straw bonnet trimmed
with green ribbon, with a black lace shawl thrown loosely across her
shoulders and hanging down behind, after a French fashion then in
vogue, passed out, closing the door softly behind her, and started off
in the direction of the Park. Then Paul Derinzy left his hiding-place,
and, at a discreet distance, followed in pursuit.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account