that from no part could the sky be seen through the thickness of the
walls. In racks, and leaning in disorder against the walls, were a
number of headsmen’s swords, great double-handed weapons with broad
blade and keen edge. Hard by were several blocks whereon the necks of
the victims had lain, with here and there deep notches where the steel
had bitten through the guard of flesh and shored into the wood. Round
the chamber, placed in all sorts of irregular ways, were many
implements of torture which made one’s heart ache to see—chairs full of
spikes which gave instant and excruciating pain; chairs and couches
with dull knobs whose torture was seemingly less, but which, though
slower, were equally efficacious; racks, belts, boots, gloves, collars,
all made for compressing at will; steel baskets in which the head could
be slowly crushed into a pulp if necessary; watchmen’s hooks with long
handle and knife that cut at resistance—this a speciality of the old
Nurnberg police system; and many, many other devices for man’s injury
to man. Amelia grew quite pale with the horror of the things, but
fortunately did not faint, for being a little overcome she sat down on
a torture chair, but jumped up again with a shriek, all tendency to
faint gone. We both pretended that it was the injury done to her dress
by the dust of the chair, and the rusty spikes which had upset her, and
Mr. Hutcheson acquiesced in accepting the explanation with a
kind-hearted laugh.
But the central object in the whole of this chamber of horrors was the
engine known as the Iron Virgin, which stood near the centre of the
room. It was a rudely-shaped figure of a woman, something of the bell
order, or, to make a closer comparison, of the figure of Mrs. Noah in
the children’s Ark, but without that slimness of waist and perfect
_rondeur_ of hip which marks the aesthetic type of the Noah family. One
would hardly have recognised it as intended for a human figure at all
had not the founder shaped on the forehead a rude semblance of a
woman’s face. This machine was coated with rust without, and covered
with dust; a rope was fastened to a ring in the front of the figure,
about where the waist should have been, and was drawn through a pulley,
fastened on the wooden pillar which sustained the flooring above. The
custodian pulling this rope showed that a section of the front was
hinged like a door at one side; we then saw that the engine was of
considerable thickness, leaving just room enough inside for a man to be
placed. The door was of equal thickness and of great weight, for it
took the custodian all his strength, aided though he was by the
contrivance of the pulley, to open it. This weight was partly due to
the fact that the door was of manifest purpose hung so as to throw its
weight downwards, so that it might shut of its own accord when the
strain was released. The inside was honeycombed with rust—nay more, the
rust alone that comes through time would hardly have eaten so deep into
Public-domain text, read in full here on John Shaqi.
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