Drake; or, the Transfer of the Trident: A National DramaMacOubrey, William
General
Drake; or, the Transfer of the Trident: A National Drama
MacOubrey, William
Drake, Francis, approximately 1540-1596 -- Drama; Elizabeth I, Queen of England, 1533-1603 -- Drama; English drama -- 19th century
All were at variance among themselves. The Queen differed with them all
in her principles and policy. She loved her country, its glory and
independence; and to secure these, pursued her own eccentric and
mysterious path, urged on by impulse, instinctive, spiritual or Angelic,
maintaining it with apparent self-will and unreasonableness, perverseness
and irresolution, vacillation and caprice. But still, in proud and
lonely grandeur, with unflinching courage and firmness, undeterred by the
fear of war or assassination, “_Semper Eadem_,” against all opposition.
She foiled with unexampled and unfailing skill, traitors and spies, and
false advisers, and every species of secret or open foe, constrained to
fence, deceive, betray, even to coquet, to save her country, her throne,
and her life! She came through it all in triumph with the TRIDENT of the
OCEAN in her grasp, acknowledged by the Nations, as the “QUEEN OF THE
SEA, the Restorer of Naval glory.” Even the Pope (Sixtus V.) forgetting
the policy of his faith, was struck with admiration of “this valiant and
noble woman.” The name of her great hero, Drake (Il Draco) was
constantly in his mouth, who, he said, “took the King of Spain by the
beard,” and he ascribed the exploits which filled Europe with their fame
to the high spirit of the Queen who sent him out.
The reign of Elizabeth is one of the most glorious epochs in the history
of our Nation—a most important CRISIS in the Destiny of the World.
The Feudal system, which, with brute force, had trampled down humanity in
its own blood, had spent its fury. That Iron Age was fast fading away.
A brilliant dawn had unexpectedly appeared, of that Intelligence, which
with the power of Science and Manufactures, Commerce, and the rights of
Man, was to rule the world. Our great race, having “renewed its strength
in the Islands” with the “abundance of the sea converted” to it, was now
to go forth on its mission, and push its people to the utmost bounds of
the everlasting hills.
The Wars of the Roses, battle and the block, had consumed the Barons, the
Knights, and the Men-at-arms. The Church, which had endeavoured to
strangle Liberty and Thought itself, was now a crumbling and bloody ruin,
shorn of its pomp, its authority, and its land.
A NEW POWER was rising from the Sea, before which the Earth was to quail,
and its despotisms to succumb. Elizabeth was the head, the Elect of
Providence, to lead it forth into action, and the noble Spirits who were
driven by the bigotry and persecution of the Marian faction to the
liberty of the wild waves, as freebooters, were the accomplished
instruments to effect its purpose. Light and Darkness, Liberty and
Despotism, had once more entered on a mortal struggle, and the Ocean was
the arena on which they were to fight it out—Spain and the Pope on one
side, England on the other. That STRUGGLE it is the PURPOSE of the
present Drama to represent, its Nature, its Conduct, its Agents, and its
Issue.
Public-domain text, read in full here on John Shaqi.
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