Conrad's depth of wisdom must trouble and terrify those who read him for
entertainment. There are few secrets in the mind of men or in the
pitiless heart of nature that he has not captured and made his
plaything. He calls up all the dreams and illusions by which men have
been destroyed and saved, and lays them mockingly naked. He is the
master of dreams, the interpreter of illusions, the chronicler of
memory. He shows the bare side of every virtue, the hidden heroism of
every vice or crime. He calls up before him all the injustices that have
come to birth out of ignorance and self-love. He shows how failure is
success, and success failure, and that the sinner can be saved. His
meanest creatures have in them a touch of honor, of honesty, or of
heroism; his heroes have always some error, weakness, a mistake, some
sin or crime, to redeem. And in all this there is no judgment, only an
implacable comprehension, as of one outside nature, to whom joy and
sorrow, right and wrong, savagery and civilization, are equal and
indifferent.
Reality, to Conrad, is non-existent; he sees through it into a realm of
illusion of the unknown: a world that is comforting and bewildering,
filled with ghosts and devils, a world of holy terror. Always is there
some suggestion of a dark region, within and around one; the
consciousness that "They made a whole that had features, shades of
expression, a complicated aspect that could be remembered by the eye,
and something else besides, something invisible, a directing spirit of
perdition that dwells within, like a malevolent soul in a detestable
body."
"This awful activity of mind" is seen at work on every page, torturing
familiar words into strange meanings, clutching at cobwebs, in a
continual despair before the unknown. Something must be found, in the
most unlikely quarter; a word, a hint, something unsaid but guessed at
in a gesture, a change of face. "He turned upon me his eyes suddenly
amazed and full of pain, with a bewildered, startled face, as though he
had tumbled down from a star." There is a mental crisis in that look:
the unknown has suddenly opened.
Public-domain text, read in full here on John Shaqi.
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