I need not reiterate the extraordinary influence that Baudelaire always
had on Swinburne; seen most of all in _Poems and Ballads_ and recurring
at intervals in later volumes of his verse. Both had in their genius, a
certain abnormality, a certain perversity, a certain love of depravity
in the highest sense of the word.
Swinburne, who had a fashion of overpraising many writers, such as Hugo,
so that his prose is often extravagant and the criticism as unbalanced
as the praise, dedicated his finest book, "_William Blake_," to W. M.
Rossetti, in words whose almost strained sense of humility--a way really
in which he often showed the intensity of his pride--makes one wonder
how he could have said: "I can but bring you brass for the gold you send
me; but between equals and friends there can be no question of barter.
Like Diomed, I take what I am given and offer what I have." What
Swinburne had--his genius--he never gave away lavishly; here he is much
too lavish. "There is a joy in praising" might have been written for
him, and he communicates to us, as few writers do, his own sense of joy
in beauty. It is quite possible to be annoyed by many of the things he
has said, not only about literature, but also about religion, and morals
and politics. But he has never said anything on any of these subjects
which is not generous, and high-minded, and, at least for the moment,
passionately and absolutely sincere.
It is almost cruel to have to test one sentence of the man of talent
with one sentence of the man of genius. I chose these from the _Notes on
the Royal Academy Exhibition_ they wrote together in 1868, which I have
before me, in the form of a printed pamphlet. "If everybody tells me
that the picture of A, of which this pamphlet says nothing, merits
criticism, or that the picture of B, praised for color, claims praise on
the score of drawing also, I shall have no difficulty in admitting the
probable correctness of these remarks; but, if he adds that I am
blamable for the omissions, I shall feel entitled to reply that A's
picture and B's draughtsmanship were not and indeed never were in the
bond."
Public-domain text, read in full here on John Shaqi.
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