Next after this triumph, Karain is the greatest. It is mysterious, a
thing that haunts one by its extreme fascination; and in this, as in all
Conrad, there is the trial of life: first the trial, then the failure,
finally (but not quite always) the redemption. "As to Karain, nothing
could happen to him unless what happens to all--failure and death; but
his quality was to appear clothed in the illusion of unavoidable
success." And on what a gorgeous and barbaric and changing stage is this
obscure tragedy of the soul enacted! There is in it grave splendor. In
Conrad's imagination three villages on a narrow plain become a great
empire and their ruler a monarch.
To read Conrad is to shudder on the edge of a gulf, in a silent
darkness. _Karain_ is full of mystery, _Heart of Darkness_ of an unholy
magic. "The fascination of the abomination--you know," the teller of the
story says for him, and "droll thing life is." The whole narrative is an
evocation of that "stillness of an implacable brooding over an
incalculable intention," and of the monstrous Kurtz who has been
bewitched by the "heavy mute spell of the wilderness that seems to draw
him to its pitiless breast by the awakening of forgotten and brutal
instincts, by the memory of gratified and monstrous passions; and this
alone had beguiled his unlawful soul beyond the bounds of permitted
aspiration." And it all ends with the cry: "The horror! The horror!"
called out in his last despair by a dying man. Gloomy, tremendous, this
has a deeper, because more inexplicable, agony than the tragedy of
_Karain._ Here, the darkness is unbroken; there is no remedy; body and
soul are drawn slowly and inevitably down under the yielding and
pestilent swamp. The failure seems irretrievable. We see nature casting
out one who had gone beyond nature. We see "the meanness, the torment,
the tempestuous anguish of a soul" that, in its last moment of earthly
existence, had peeped over the edge of the gulf, with a stare "that
could not see the flame of the candle, but was wide enough to embrace
the whole universe."
Public-domain text, read in full here on John Shaqi.
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