Drawing -- England -- London -- Catalogs; London (England) -- Pictorial works -- Catalogs
At the corner of Great St. Helen's, opposite the pretty south porch of
the church, by some attributed to Inigo Jones, which has on it the date
1633, stood a quaint old house constructed of wood and plaster, with
projecting upper stories and massive timbering, which dated from long
before the Great Fire, and at the time of this sketch was, perhaps, the
oldest domestic building in the City except Crosby Hall; the inside,
however, had been modernised. Tradition boldly asserts that Anne
Boleyn's father, Sir Thomas, afterwards Viscount Rochford and Earl of
Wiltshire, once lived here. It is an undoubted fact that a kinsman of
his name, was intimately connected with St. Helen's, for "on the 24th
December, 26th Hen. VIII., 1534, the Prioress and Convent appointed
Sir James Bolleyne, Knt., to be steward of their lands and tenements
in London and elsewhere, the duties to be performed either by himself
or a sufficient deputy during the life of the said James, at a stipend
of forty shillings a year, payable at Christmas. If in arrear for six
weeks the said James might enter and distrain." This was most likely
Sir Thomas Boleyn's elder brother. The house, No. 10, had been much
shaken by the removal of Nos. 8 and 9 adjoining. It was propped up for
some time, and destroyed in the course of 1894.
(12-5/16 × 5-5/16) D. 33-1896.
30. Old Houses, Great St. Helen's, Bishopsgate Street, 1862
(Black and white).
This drawing was made from the passage between Bishopsgate Street
and St. Helen's, the view being the reverse of No. 28. The strip of
building to the extreme right belonged to the modern part of Crosby
Hall, a Gothic mansion unrivalled in its day; but its entrance—No. 1,
St. Helen's, is not shown, nor is No. 2—a well-proportioned house
with a pretty doorway, dating from the earlier part of the eighteenth
century which has also disappeared. The three plastered houses
adjoining were pulled down many years ago. The high brick house
immediately to their left has so far been spared, and deserves a visit
for the sake of its good Georgian staircase. Part of Nos. 8 and 9,
already described, is dimly seen through the trees on the left. No. 10
is not visible, being chiefly round the corner, in the lane leading to
St. Mary Axe. There was a right of way through here for the public from
quite early times; for Dugdale tells us that in the Hundred Roll of 3rd
Edward I. several entries occur relating to an attempt which the nuns
made to stop up the lane or passage through the court of their priory
from Bishopsgate Street to St. Mary Axe. Since 1862 a large piece
has been taken from the churchyard, with no apparent advantage to the
public.
(8-7/16 × 6-5/8) D. 89-1896.
31. Crosby Hall Chambers, Bishopsgate Street, 1891 (Prout's
brown).
(7-7/16 × 4-3/8) D. 87-1896.
32. Mantelpiece in Crosby Hall Chambers, Bishopsgate Street, 1891
(Pen and ink).
Public-domain text, read in full here on John Shaqi.
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