This picturesque old house, here shown from Green Dragon Court, had no special history, but, to judge by its style, must have dated from immediately after the Great Fire. St. Andrew's Hill was first called Puddle Hill, and then Puddle Dock Hill, after the neighbouring wharf of that name. Shakespeare owned a house in Ireland Yard hard by, where, in 1900, remains of the Blackfriars Priory were brought to light. The Green Dragon was the badge of William Herbert, Earl of Pembroke, who died in 1570. This house was pulled down in 1896. Its better known namesake in Bishopsgate Street, an old galleried coaching inn, had disappeared in 1877. (9-11/16 × 5) D. 47-1896. 53. Interior of the Church of Allhallows the Great, 1893 (Water-colour). (13-3/8 × 16-9/16) D. 70-1896. 54. Carved Emblematical Figures, Allhallows the Great, 1893 (Water-colour). The church of Allhallows the Great, Upper Thames Street, is mentioned in a will of 1259. The patronage of the living was anciently in the hands of the Le Despencers; it afterwards came to Richard Nevil, Earl of Warwick, "the King maker." This church had a large cloister on the south side. The whole was destroyed or very much injured in the great fire, and rebuilt by Sir Christopher Wren, who, according to his custom, worked in such parts of the walls and foundations as were available. The tower and north aisle or ambulatory of this structure (which seems never to have been open to the nave) were removed in 1876 for the widening of Upper Thames Street. Under the Union of Benefices Act, the church itself was sold by auction March 31st, 1894, and shortly afterwards pulled down, the ground being bought by the neighbouring brewery. It is now an open space with its fragment of churchyard. The interior was of singular beauty, and retained its original fittings to the end, among them the fine open screen shown in drawing No. 53 and now at St. Margaret's, Lothbury. This screen is sometimes said to have been made at Hamburg, and given by the Hanseatic merchants, so long connected with the neighbouring Steelyard. It is, however, undoubtedly English work. The earlier documents bearing on the subject make it almost certain that both screen and pulpit were presented by Theodore Jacobsen, who in 1680 succeeded his brother Jacob as house-master of the Steelyard, an office which the latter had held at the time of the Great Fire. It was chiefly through their efforts that the Steelyard was rebuilt, and the Jacobsen family thereby acquired claims over it, which, after protracted litigation, were bought up by the Hanseatic towns in 1748. These retained the Steelyard and some slight connection with the church until after the middle of the nineteenth century. It may be observed also that the screen has on it an eagle "displayed." The beautiful sounding board of the pulpit also has an eagle. This is now at St. Margaret's, Lothbury; the pulpit