Drawing -- England -- London -- Catalogs; London (England) -- Pictorial works -- Catalogs
In 1865-66 the south side of the building was replaced by a modern
tavern, which appears to the right of drawing No. 2. Some years
previously the yard had been disfigured by a penthouse or lean-to (also
shown in this drawing), which was used for the business of a bacon
dryer. The old galleries on the north and east sides were let out in
tenements. In the inner yard were some quaint old houses crowded with
lodgers (_vide_ No. 6). From here, looking back, one often saw the
smoke of the bacon curer's furnaces curling out of the windows of the
main building (as shown in drawing No. 3). The remains of the old White
Hart were pulled down in July 1889, and hop factors' rooms built on
the site, the yard being very much curtailed. The modern tavern on the
south side was closed some time ago. It is now used for the storage of
goods. The only trace of its former associations (October 1912) is a
painted board, still to be seen through one of the windows, with the
following words painted on it:—THE SAM WELLER (Social) CLUB.
(14-1/8 × 10-1/8) D. 10-1896.
7. The Tabard Inn, Southwark, 1810 (Water-colour).
The Tabard is perhaps the most famous of all Southwark inns, owing to
the fact that Chaucer has selected it as the starting point for his
Canterbury Pilgrims:—
"Byfel that in that sesoun on a day,
In Southwark at the Tabard as I lay."
He even mentions the name of the jovial landlord, Henry Bailly, a real
personage, who represented Southwark in the Parliament held at
Westminster, A.D. 1376.
Public-domain text, read in full here on John Shaqi.
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