"Natheless it is the Madonna and the Child that your painters have loved best to paint." "'Tis but Venus and Cupid over again." "Nay, these sneers belie the noble Signora de' Franchi. Thou canst not be blind to the divine aspiration that lay behind a Madonna of Sandro Botticelli." "Thou hast not seen his frescoes in the Villa Lemmi, outside Firenze, the dainty grace of his forms, the charming color, else thou wouldst understand that it was not spiritual beauty alone that his soul coveted." "But Raffaello da Urbino, but Leonardo--" "Leonardo," she repeated. "Hast thou seen his Bacchus, or his battle-fresco? Knowest thou the later work of Raffaello? And what sayest thou to our Fra Lippo Lippi? A Christian monk he, forsooth! What sayest thou to Giorgione of Venice and his pupils, to this efflorescence of loveliness, to our statuaries and our builders, to our goldsmiths and musicians? Ah, we have rediscovered the secret of Greece. It is Homer that we love, it is Plato, it is the noble simplicity of Sophocles; our Dante lied when he said it was Virgil who was his guide. The poet of Mantua never led mortal to those dolorous regions. He sings of flocks and bees, of birds and running brooks, and the simple loves of shepherds; and we listen to him again and breathe the sweet country air, the sweeter for the memory of those hell-fumes which have poisoned life for centuries. Apollo is Lord, not Christ." "It is Apollyon who tempts Rome thus with the world and the flesh." "Thou hast dethroned thy reason, Messer Giuseppe. Thou knowest these things dignify, not degrade our souls. Hast thou not thrilled with me at the fairness of a pictured face, at the glow of luminous color, at the white radiance of a statue?" "I sinned if I loved beauty for itself alone, and--forgive me if I wound thee, lady--this worship of beauty is for the rich, the well-fed, the few. What of the poor and the down-trodden who weep in darkness? What comfort holds thy creed for such? All these wonders of the human hand and the human brain are as straws weighed against a pure heart, a righteous deed. The ages of Art have always been the ages of abomination, Signora. It is not in cunning but in simplicity that our Lord is revealed. Unless ye become as little children, ye shall not enter the Kingdom of Heaven." "Heaven is here." Her eyes gleamed. Her bosom heaved. The fire of her glance passed to his. Her loveliness troubled him, the matchless face and form that now blent the purity of a statue with the warmth of living woman.