Children -- Conduct of life -- Juvenile fiction; Children's stories; Conduct of life -- Juvenile fiction
That was the beginning. It gave him occupation and, food, but scarcely
more than that at first. He had no time for dreaming now, but often
when he had a brief moment to himself would take out of his pocket the
piece of chalk with which he marked the trunks he carried, and sketch
with it upon some rough box-lid or other the picture of a face or form
which he saw in his fancy; so that after a time he was known among the
men as "the artist feller," and grew to have quite a little reputation
among them.
How the rest came about even Larry himself found it hard to tell. But
by and by he was drawing with pencil and pen, and selling his sketches
for what he could get, buying now a brush and then some paints with the
scanty proceeds, and working upon his bits of canvas with all the ardor
of a Raphael himself.
A man sat before an easel in a crowded studio one day, give the last
touch to a painting that stood before him. It pictured the figure of a
lad, ragged and forlorn, lying asleep beneath some sheltering trees.
At first that seems all there was to be seen upon the canvas; but if
one looked closer one was able to discover another figure amid the
vaporous, soft glooms of the place. It grew ever more distinct, until
one had no difficulty in distinguishing the form of a maiden, fair and
frail as a dream. She was bending over the slumbering body of the boy,
as if to arouse him to life by the whispered words she was breathing
against his cheek.
The artist scrawled his signature in the corner of his completed work
and set the canvas in its frame, and then stood before it, scrutinizing
it closely.
"'The Waking Soul!'--I wonder if that is a good name for it?" murmured
he to himself. And then, after a moment, he said to the pictured lad,--
"Well, Larry, little fellow, the dream's come true; and here we are,
you and I,--you, Larry, and I, Lawrence,--with the 'wish grown strong
to an endeavor, and the endeavor to an achievement.' Are you glad,
Boy?"
BETTY'S BY-AND-BY.
"'One, two, three!
The humble-bee!
The rooster crows,
And away she goes!'"
And down from the low railing of the piazza jumped Betty into the soft
heap of new-mown grass that seemed to have been especially placed where
it could tempt her and make her forget--or, at least, "not
remember"--that she was wanted indoors to help amuse the baby for an
hour.
It was a hot summer day, and Betty had been running and jumping and
skipping and prancing all the morning, so she was now rather tired; and
after she had jumped from the piazza-rail into the heap of grass she
did not hop up nimbly at once, but lay quite still, burying her face in
the sweet-smelling hay and fragrant clover, feeling very comfortable
and contented.
"Betty! Betty!"
Public-domain text, read in full here on John Shaqi.
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