problem, to produce a living work of the imagination, we are not really
asleep, or at least that part of ourselves which labors is not the same
as that which sleeps. We cannot say, then, that it is a dream. In sleep,
properly speaking, in sleep which absorbs our whole personality, it is
memories and only memories which weave the web of our dreams. But often
we do not recognize them. They may be very old memories, forgotten
during waking hours, drawn from the most obscure depths of our past;
they may be, often are, memories of objects that we have perceived
distractedly, almost unconsciously, while awake. Or they may be
fragments of broken memories which have been picked up here and there
and mingled by chance, composing an incoherent and unrecognizable whole.
Before these bizarre assemblages of images which present no plausible
significance, our intelligence (which is far from surrendering the
reasoning faculty during sleep, as has been asserted) seeks an
explanation, tries to fill the lacunae. It fills them by calling up other
memories which, presenting themselves often with the same deformations
and the same incoherences as the preceding, demand in their turn a new
explanation, and so on indefinitely. But I do not insist upon this point
for the moment. It is sufficient for me to say, in order to answer the
question which I have propounded, that the formative power of the
materials furnished to the dream by the different senses, the power
which converts into precise, determined objects the vague and indistinct
sensations that the dreamer receives from his eyes, his ears, and the
whole surface and interior of his body, is the memory.
Public-domain text, read in full here on John Shaqi.
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