If the observer is asked what are the letters that he is sure of having
seen, these may be, of course, the letters really written, but there may
be also absent letters, either letters that we replaced by others or
that have simply been omitted. Thus an observer will see quite
distinctly in full light a letter which does not exist, if this letter,
on account of the general sense, ought to enter into the phrase. The
characters which have really affected the eye have been utilized only to
serve as an indication to the unconscious memory of the observer. This
memory, discovering the appropriate remembrance, _i.e._, finding the
formula to which these characters give a start toward realization,
projects the remembrance externally in an hallucinatory form. It is
this remembrance, and not the words themselves, that the observer has
seen. It is thus demonstrated that rapid reading is in great part a work
of divination, but not of abstract divination. It is an externalization
of memories which take advantage, to a certain extent, of the partial
realization that they find here and there in order to completely realize
themselves.
Thus, in the waking state and in the knowledge that we get of the real
objects which surround us, an operation is continually going on which is
of quite the same nature as that of the dream. We perceive merely a
sketch of the object. This sketch appeals to the complete memory, and
this complete memory, which by itself was either unconscious or simply
in the thought state, profits by the occasion to come out. It is this
kind of hallucination, inserted and fitted into a real frame, that we
perceive. It is a shorter process: it is very much quicker done than to
see the thing itself. Besides, there are many interesting observations
to be made upon the conduct and attitude of the memory images during
this operation. It is not necessary to suppose that they are in our
memory in a state of inert impressions. They are like the steam in a
boiler, under more or less tension.
Public-domain text, read in full here on John Shaqi.
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