One feels that the thing is being overdone. That family, before another month is gone, will be among the strongest opponents of enamel paint that the century has produced. Enamel paint will be the ruin of that once happy home. Enamel paint has a cold, glassy, cynical appearance. Its presence everywhere about the place will begin to irritate the old man in the course of a week or so. He will call it, "This damn'd sticky stuff!" and will tell the wife that he wonders she didn't paint herself and the children with it while she was about it. She will reply, in an exasperatingly quiet tone of voice, that she does like that. Perhaps he will say next, that she did not warn him against it, and tell him what an idiot he was making of himself, spoiling the whole house with his foolish fads. Each one will persist that it was the other one who first suggested the absurdity, and they will sit up in bed and quarrel about it every night for a month. The children having acquired a taste for smudging the concoction about, and there being nothing else left untouched in the house, will try to enamel the cat; and then there will be bloodshed, and broken windows, and spoiled infants, and sorrows and yells. The smell of the paint will make everybody ill; and the servants will give notice. Tradesmen's boys will lean up against places that are not dry and get their clothes enameled and claim compensation. And the baby will suck the paint off its cradle and have fits. But the person that will suffer most will, of course, be the eldest daughter's young man. The eldest daughter's young man is always unfortunate. He means well, and he tries hard. His great ambition is to make the family love him. But fate is ever against him, and he only succeeds in gaining their undisguised contempt. The fact of his being "gone" on their Emily is, of itself, naturally sufficient to stamp him as an imbecile in the eyes of Emily's brothers and sisters. The father finds him slow, and thinks the girl might have done better; while the best that his future mother-in-law (his sole supporter) can say for him is, that he seems steady. There is only one thing that prompts the family to tolerate him, and that is the reflection that he is going to take Emily away from them. On that understanding they put up with him. The eldest daughter's young man, in this particular case, will, you may depend upon it, choose that exact moment when the baby's life is hovering in the balance, and the cook is waiting for her wages with her box in the hall, and a coal-heaver is at the front door with a policeman, making a row about the damage to his trousers, to come in, smiling, with a specimen pot of some new high art, squashed-tomato-shade enamel paint, and suggest that they should try it on the old man's pipe.