"Don't cry 'oh, Herr Ritter!' in that reproachful manner, for this
fruit really cost me nothing. It was given to me. Little Andrea
Bruno brought it to me today."
"The fruit-seller's child? Yes, yes, I daresay; but it was not
meant for me! It's no use trying to hide your good deeds, Herr
Ritter! 'Tista has told me how kind you were to Andrea's little
sister when she sprained her foot last month; and how you bandaged
it for her, and used to go and read to her all the morning, when
her father and Andrea were out selling fruit, and she would have
been left alone but for you; and I know, too, all about poor crippled
Antonia and Catterina Pic--. Don't go away, I won't say any more
about it! But I couldn't help telling you I knew; you dear, good
Herr Ritter!"
He had half-risen, but now he reseated himself, and drew his chair
nearer her couch. In doing this his eyes met hers, and he looked
earnestly into them a moment.
"Lora, you have been weeping. What is the matter?"
She moved restlessly on her hard pillows, and dropped her gaze from
his face, and I noted that a faint blush stole over her sunken cheeks
and touched her forehead. With that tender glow, under the faded
skin, she looked almost beautiful. She was young, certainly, not
more than thirty at the utmost; but she was very poor and desolate,
and there is nothing so quick at sapping the blood and withering
the beauty of women as poverty and desolation. Nothing.
"Herr Ritter," she said, after a little pause, "I will tell you
what is the matter. Perhaps you may be able to advise me; I don't
quite know what to do. You know how very, very much my 'Tista wants
to be a chemist, so I needn't say anything about that. Well, he
must be brought up to something, you know; he must learn to be
something when the time comes for him to live without me, and I
don't think, Herr Ritter, it will be very long-- before--before
that time comes, now."
I noted again that the old man did not contradict her. He only
watched her drooping face, and listened.
Public-domain text, read in full here on John Shaqi.
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