Having taken this resolution, I formed an acquaintance with Mynheer Vander Bosch, the first organist of the place, who very kindly permitted me to sit next him in his gallery during the celebration of high mass. The service ended, I strayed about the aisles, and examined the innumerable chapels which decorate them, whilst Mynheer Vander Bosch thundered and lightened away upon his huge organ with fifty stops. When the first flashes of execution were a little subsided, I took an opportunity of surveying the celebrated “Descent from the Cross,” which has ever been esteemed one of Rubens’s chef d’œuvres, and for which they say old Lewis Baboon offered no less a sum than forty thousand florins. The principal figure has, doubtless, a very meritorious paleness, and looks as dead as an artist could desire; the rest of the group have been so liberally praised, that there is no occasion to add another tittle of commendation. A swinging St. Christopher, fording a brook with a child on his shoulders, cannot fail of attracting your attention. This colossal personage is painted on the folding-doors which defend the capital performance just mentioned from vulgar eyes; and here Rubens has selected a very proper subject to display the gigantic coarseness of his pencil. Had this powerful artist confined his strength to the representation of agonizing thieves and sturdy Barabbases, nobody would have been readier than your humble servant to offer incense at his shrine, but when I find him lost in the flounces of the Virgin’s drapery, or bewildered in the graces of St. Catherine’s smile, pardon me if I withhold my adoration. After I had most dutifully observed all the Rubenses in the church, I walked half over Antwerp in search of St. John’s relics, which were moving about in procession, but an heretical wind having extinguished all their tapers, and discomposed the canopy over the Bon Dieu, I cannot say much for the grandeur of the spectacle. If my eyes were not greatly regaled by the Saint’s magnificence, my ears were greatly affected in the evening by the music which sang forth his praises. The cathedral was crowded with devotees and perfumed with incense. Several of its marble altars gleamed with the reflection of lamps, and, altogether, the spectacle was new and imposing. I knelt very piously in one of the aisles while a symphony in the best style of Corelli, performed with taste and feeling, transported me to Italian climates, and I was quite vexed, when a cessation dissolved the charm, to think that I had still so many tramontane regions to pass, before I could in effect reach that classic country, where my spirit had so long taken up its abode. Finding it was in vain to wish or expect any preternatural interposition, and perceiving no conscious angel, or Loretto-vehicle, waiting in some dark consecrated corner to bear me away, I humbly returned to my hotel in the Place de Mer, and soothed myself with some terrestrial harmony; till, my