Dreams, Waking Thoughts, and IncidentsBeckford, William
General
Dreams, Waking Thoughts, and Incidents
Beckford, William
Beckford, William, 1760-1844
Nothing can be well more fantastic than the ornaments of this structure,
formed from the ruins of the Pagan temples of Altina, and incrusted with
a gilt mosaic, like that which covers our Edward the Confessor’s tomb.
The pavement, composed of various precious marbles, is richer and more
beautiful than one could have expected, in a place where every other
object savours of the grossest barbarism. At the farther end, beyond the
altar, appears a semicircular niche, with seats like the gradines of a
diminutive amphitheatre; above rise the quaint forms of the apostles, in
red, blue, green, and black mosaic, and in the midst of the goodly group
a sort of marble chair, cool and penitential enough, where St. Lorenzo
Giustiniani sat to hold a provincial council, the Lord knows how long
ago! The fount for holy water stands by the principal entrance, fronting
this curious recess, and seems to have belonged to some place of Gentile
worship. The figures of horned imps cling round its sides, more
devilish, more Egyptian, than any I ever beheld. The dragons on old
china are not more whimsical: I longed to have it filled with bats’
blood, and to have sent it by way of present to the sabbath; I can assure
you it would have done honour to their witcheries. The sculpture is not
the most delicate, but I cannot say a great deal about it, as but little
light reaches the spot where it is fixed. Indeed, the whole church is
far from luminous, its windows being narrow and near the roof, with
shutters composed of blocks of marble, which nothing but the last
whirlwind, one should think, could move from their hinges.
By the time we had examined every nook and corner of this singular
edifice, and caught perhaps some small portion of sanctity by sitting in
San Lorenzo’s chair, dinner was prepared in a neighbouring convent, and
the nuns, allured by the sound of our flutes and oboes, peeped out of
their cells and showed themselves by dozens at the grate. Some few
agreeable faces and interesting eyes enlivened the dark sisterhood; all
seemed to catch a gleam of pleasure from the music; two or three of them,
probably the last immured, let fall a tear, and suffered the recollection
of the world and its profane joys to interrupt for a moment their sacred
tranquillity.
We stayed till the sun was low, and the breezes blew cool from the ocean,
on purpose that they might listen as long as possible to a harmony which
seemed to issue, as the old abbess expressed herself, from the gates of
paradise ajar. A thousand benedictions consecrated our departure;
twilight came on just as we entered the bark and rowed out upon the
waves, agitated by a fresh gale, but fearing nothing under the protection
of St. Margherita, whose good wishes our music had secured.
Public-domain text, read in full here on John Shaqi.
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