In two hours we were safely landed at the Fondamenti nuovi, and went immediately to the Mendicanti, where they were performing the oratorio of Sisera. The composer, a young man, had displayed great fire and originality in this performance; and a knowledge of character seldom found in the most celebrated masters. The supplication of the thirsty chieftain, and Jael’s insinuating arts and pious treachery, are admirably expressed; but the agitation and bodily slumbers which precede his death, are imagined in the highest strain of genius. The terror and agony of his dreams made me start, more than once, from my seat; and all the horrors of his assassination seemed full before me, so fatal was the sound of the instrument, so just the conduct of the harmony. Too much applause cannot be given to the Marchetti, who sang the part of Sisera, and seconded the composer’s ideas by the most feeling and spirited execution. There are few things I shall regret more at Venice, than this conservatorio. Whenever I am musically given, I fly to it, and hear the most striking finales in Bertoni’s and Anfosse’s operas, as long and often as I please. The sight of the orchestra still makes me smile. You know, I suppose, it is entirely of the female gender, and that nothing is more common than to see a delicate white hand journeying across an enormous double bass, or a pair of roseate cheeks puffing, with all their efforts, at a French horn. Some that are grown old and Amazonian, who have abandoned their fiddles and their lovers, take vigorously to the kettledrum; and one poor limping lady, who had been crossed in love, now makes an admirable figure on the bassoon. Good-night! I am quite exhausted with composing a chorus for these same Amazonians. The poetry I send you, which seems to be some of the most picturesque and nervous an Italian ever produced. The music takes up too much room to travel at present. One day or other, perhaps, we may hear it in some dark grove, when the moon is eclipsed and nature in alarm. This is not the last letter you would receive from Venice, was I not hurrying to Lucca, where Pacchierotti sings next week, in the opera of Quinto Fabio, of all operas the most worthy to excuse such a musical fanaticism. Adieu. LETTER X. _September_ 4_th_.—I was sorry to leave Venice, and regretted my peaceful excursions upon the Adriatic, when the Euganean hills were lost in a golden haze, and the sun cast his departing gleam across the waters. No bright rays illuminated my departure, but the coolness and perfume of the air made some amends for their absence.