Dreamthorp : $b A book of essays written in the country — John Shaqi
Dreamthorp : $b A book of essays written in the countrySmith, Alexander
General
Dreamthorp : $b A book of essays written in the country
Smith, Alexander
Essays
I do not think that Mr. Buckle could have written his "History of
Civilization" in Dreamthorp, because in it books, conversation, and the
other appurtenances of intellectual life, are not to be procured. I am
acquainted with birds, and the building of nests--with wild-flowers,
and the seasons in which they blow,--but with the big world far away,
with what men and women are thinking, and doing, and saying, I am
acquainted only through the _Times_, and the occasional magazine or
review, sent by friends whom I have not looked upon for years, but by
whom, it seems, I am not yet forgotten. The village has but few
intellectual wants, and the intellectual supply is strictly measured by
the demand. Still there is something. Down in the village, and
opposite the curiously-carved fountain, is a schoolroom which can
accommodate a couple of hundred people on a pinch. There are our
public meetings held. Musical entertainments have been given there by
a single performer. In that schoolroom last winter an American
biologist terrified the villagers, and, to their simple understandings,
mingled up the next world with this. Now and again some rare bird of
an itinerant lecturer covers dead walls with posters, yellow and blue,
and to that schoolroom we flock to hear him. His rounded periods the
eloquent gentleman devolves amidst a respectful silence. His audience
do not understand him, but they see that the clergyman does, and the
doctor does; and so they are content, and look as attentive and wise as
possible. Then, in connexion with the schoolroom, there is a public
library, where books are exchanged once a month. This library is a
kind of Greenwich Hospital for disabled novels and romances. Each of
these books has been in the wars; some are unquestionable antiques.
The tears of three generations have fallen upon their dusky pages. The
heroes and the heroines are of another age than ours. Sir Charles
Grandison is standing with his hat under his arm. Tom Jones plops from
the tree into the water, to the infinite distress of Sophia. Moses
comes home from market with his stock of shagreen spectacles. Lovers,
warriors, and villains,--as dead to the present generation of readers
as Cambyses,--are weeping, fighting, and intriguing. These books,
tattered and torn as they are, are read with delight to-day. The
viands are celestial if set forth on a dingy table-cloth. The gaps and
chasms which occur in pathetic or perilous chapters are felt to be
personal calamities. It is with a certain feeling of tenderness that I
look upon these books; I think of the dead fingers that have turned
over the leaves, of the dead eyes that have travelled along the lines.
An old novel has a history of its own. When fresh and new, and before
it had breathed its secret, it lay on my lady's table. She killed the
weary day with it, and when night came it was placed beneath her
pillow. At the seaside a couple of foolish heads have bent over it,
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