The ruined chapel adjoins the ruined castle on which I am now sitting, and is evidently a building of much older date. It is a mere shell now. It is quite roofless, ivy covers it in part; the stone tracery of the great western window is yet intact, but the coloured glass is gone with the splendid vestments of the abbot, the fuming incense, the chanting choirs, and the patient, sad-eyed monks, who muttered _Aves_, shrived guilt, and illuminated missals. Time was when this place breathed actual benedictions, and was a home of active peace. At present it is visited only by the stranger, and delights but the antiquary. The village people have so little respect for it, that they do not even consider it haunted. There are several tombs in the interior bearing knights' escutcheons, which time has sadly defaced. The dust you stand upon is noble. Earls have been brought here in dinted mail from battle, and earls' wives from the pangs of child-bearing. The last trumpet will break the slumber of a right honourable company. One of the tombs--the most perfect of all in point of preservation--I look at often, and try to conjecture what it commemorates. With all my fancies, I can get no further than the old story of love and death. There, on the slab, the white figures sleep; marble hands, folded in prayer, on marble breasts. And I like to think that he was brave, she beautiful; that although the monument is worn by time, and sullied by the stains of the weather, the qualities which it commemorates--husbandly and wifely affection, courtesy, courage, knightly scorn of wrong and falsehood, meekness, penitence, charity--are existing yet somewhere, recognisable by each other. The man who in this world can keep the whiteness of his soul, is not likely to lose it in any other.