Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
Shoes and short Wellington boots were chiefly worn, the former being low
in the heel and very short in the tongue, which was almost covered by
small latchets, either buckled or tied, the shape of the toe being
rather round. The Hessian boots with curved front and tassel at the top
were still worn.
NINETEENTH CENTURY. WILLIAM IV. FEMALE.
The hair still retained the high loops on top and the bunch of curls at
the sides, poised by a back comb and set with flowers or feathers; there
was also a great variety of fancy capes with pointed frills, some with
long tie ends, and these are seen with most dresses, and were worn in
conjunction with the hats. The favourite hat was a big, flat, circular
form, generally tilted at one side, and decorated with bows, flowers,
and feathers; a flat tam-o'-shanter shape was often worn with the
riding-dress, sometimes with a large peak-shape in front, and straps
under the chin. The large poke-bonnet also kept the front as flat and
round as possible, with a high crown tilted upward in order to set over
the hair loops.
[Illustration: Plate XXVIII.--
(_a_) Silk Pelisse. 1820-30.
(_b_) Cotton Dress. 1830-40. (_Pattern, see p._ 343).
(_c_) Silk Spencer and Cape. 1818-27 (_Pattern, see p._ 324).]
[Illustration: FIG. 114.--1828-1836.]
The bodice began with a very pointed front and very low neck off the
shoulders, tuck-ins of fine embroidery, and capes or _fichus_ of the
same, covered the shoulders, often three deep. The pointed bodice only
lasted for a few years, when the waistband again became the favourite.
The sleeves were very large at the shoulders, diminishing at the wrist,
but soon took a big round form, sometimes tightly pleated into quarters
before 1835. We then get the huge sleeve gathered at the wrist, and
often falling below it; this again tightened on the forearm, and we note
a tendency to tighter sleeves coming in before 1837, neatly gathered
well down the shoulder. The evening-dress sleeve was a large puff, set
out by stiffening to a flat wide effect. Very wide epaulet collars were
seen on most dresses, meeting in a =V= shape at the waist, with a filling
of lace in the front, and many bodices were elaborately gathered, and
some of the sleeves were also gathered into puffs all down the arm.
[Illustration: FIG. 115.--1830-1840.]
The skirts were set out very full over stiff flounced petticoats, and
were worn rather short; as a rule they were trimmed with one or two
flounces, which were handsomely decorated, and a short polonaise is
occasionally seen. There were many interesting trimmings of gauze,
flowers, and bows; while silk-flowered gauze over dresses made some
charming effects.
Heavy mantles and capes or pelisses began to be braided, and rather
strong colours were in general taste.
The hand-bags were of a curved form and generally bore heavy tassels.
Very small fans and round fans were attractive, and bouquet-holders of
gilt, with pearl handles, became the thing to carry.
Public-domain text, read in full here on John Shaqi.
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