We have the Egyptian pictures showing the whole process of wine-making.
We see their vines very carefully trained in bowers, or in avenues,
formed by columns and rafters; their vineyards were walled in, and
frequently had a reservoir of water within their precincts, together
with a building which contained a winepress; whilst boys frightened the
birds away with slings and stones, and cries. The grapes, when gathered,
were put into deep wicker baskets, which men carried either on their
heads or shoulders, or slung upon a yoke, to the winepress, where the
wine was squeezed out of a bag by means of two poles turned in contrary
directions, an earthen pan receiving the juice. But they also had large
presses, in which they trod the fruit with their naked feet, supporting
themselves by ropes suspended from the roof.
The grape juice having fermented, it was put into earthen jars,
resembling the Roman _amphoræ_, which were closed with a lid covered with
pitch, clay, mortar or gypsum, and sealed, after which they were removed
to the storehouse, and there placed upright. The Egyptians had a peculiar
habit, which used also to be general in Italy and Greece, and now
obtains in the islands of the Archipelago, of putting a certain quantity
of resin or bitumen at the bottom of the amphora before pouring in the
wine. This was supposed to preserve it, but it was also added to give it
a flavour—a taste probably acquired from their having been used to wine
skins, instead of jars, and having employed resins to preserve the skins.
Public-domain text, read in full here on John Shaqi.
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