On this May morning, too warm, perhaps, in the sunshine, but perfect
in the shade, the American, in his reclining chair, was listening
to a singing voice. It came to him from an inner room of the villa.
Dreamily he listened, with half closed eyes, and smiling mouth. It had
been rather a handsome face before the duel. Now the features were too
sharp, and the eyes showed lack of sleep. This old Hungarian song--a
mother's prayer, now coming from the Diva's lips, and heart--was her
lover's favorite, and her own. It was given with the depth of feeling
and the art of a great singer, herself soon to be a mother. There are
things in music, often the simplest songs, that stir the imagination
and reach the secret chamber of the soul beyond all others. This
Hungarian prayer was one. It had become, to these two people, a hymn of
hope, with its love and fears, its yearnings and its joy. And into it
the Diva gave her very soul.
The song ended. Then, with eyes still moist, the Diva walked out into
the loggia.
A pleasant thing to look upon, this goddess of the ravishing voice.
There seemed bewitchment in her figure, in her carriage, in her head
and neck, in the low, wide brow with its blackest of black hair.
Beneath the heavy lashes of the midnight eyes lurked tragedy. Their
mysterious depths disturbed the hearts of men. Yet her lips told more
of mirth. Certain critics maintained that her greatest triumphs were
in comedy. But as nearly all grand opera is for tragedy she rarely
appeared in lighter rôles. This morning, as she stepped out into
the loggia, she could have passed for almost any heroine--either of
tragedy or comedy. Her robe, a thing of light material, might be any
shade or color; perhaps a delicate purple ground with a smiling yellow
pattern--or vice versa; so artfully designed that the outlines of her
figure became elusive.
She bent over, kissed the invalid, and pressed a cheek against his
face. Then she straightened up and stood beside him, looking down with
a smile that was more than friendly. The invalid returned the smile. It
was an easy thing to do. For what is easier than returning the smile of
a singing goddess vainly sought by other men, when she descends from
pinnacles of glory--and freely, joyfully surrenders herself, and all
from an overpowering love? In the smile that lingered between them were
things whose utterance is not in words of any language:--things that
true lovers, and they alone, can ever know. Close beside him she drew
a wicker chair, and she sat in silence for a moment, studying his face.
Earnestly she looked into his eyes as if searching his secret thoughts.
Public-domain text, read in full here on John Shaqi.
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