Produced by Ted Garvin, Charles Franks and the Distributed Proofreaders Team DRYDEN'S PALAMON AND ARCITE Edited With Introduction And Notes By George E. Eliot, A.M. English Master In The Morgan School To Henry A. Beers Professor Of English Literature In Yale University Who First Aroused My Interest In Dryden And Directed My Study Of His Works This Volume Is Respectfully Inscribed PREFACE. To edit an English classic for study in secondary schools is difficult. The lack of anything like uniformity in the type of examination required by the colleges and universities complicates treatment. Not only do two distinct institutions differ in the scope and character of their questions, but the same university varies its demands from year to year. The only safe course to pursue is, therefore, a generally comprehensive one. But here, again, we are hampered by limited space, and are forced to content ourselves with a bare outline, which the individual instructor can fill in as much or as little as he pleases. The ignorance of most of our classical students in regard to the history of English literature is appalling; and yet it is impossible properly to study a given work of a given author without some knowledge of the background against which that particular writer stands. I have, therefore, sketched the politics, society, and literature of the age in which Dryden lived, and during which he gave to the world his _Palamon and Arcite_. In the critical comments of the introduction I have contented myself with little more than hints. That particular line of study, whether it concerns the poet's style, his verse forms, or the possession of the divine instinct itself, can be much more satisfactorily developed by the instructor, as the student's knowledge of the poem grows. It is certainly a subject for congratulation that so many youth will be introduced, through the medium of Dryden's crisp and vigorous verse, to one of the tales of Chaucer. May it now, as in his own century, accomplish the poet's desire, and awaken in them appreciative admiration for the old bard, the best story-teller in the English language. G. E. E. CLINTON, CONN., July 26, 1897. INTRODUCTION. THE BACKGROUND. The fifty years of Dryden's literary production just fill the last half of the seventeenth century. It was a period bristling with violent political and religious prejudices, provocative of strife that amounted to revolution. Its social life ran the gamut from the severity of the Commonwealth Puritan to the unbridled debauchery of the Restoration Courtier. In literature it experienced a remarkable transformation in poetry, and developed modern prose, watched the production of the greatest English epics, smarted under the lash of the greatest English satires, blushed at the brilliant wit of unspeakable comedies, and applauded the beginnings of English criticism.