Chaucer, Geoffrey, -1400. Knight's tale -- Adaptations; English poetry -- Early modern, 1500-1700
Though wrongly accused of this particular satire, it was not long before
he did turn his attention to that department of verse. It was the time
of the restless dissent of the Whigs from the succession of James; and
in 1681 Dryden launched _Absalom and Achitophel_, one of the most
brilliant satires in our language, against Shaftesbury and his
adherents, who were inciting Monmouth to revolt. He found an admirable
parallel in Absalom's revolt from his father David, and he sustained the
comparison. The Scriptural names concealed living characters, and
Shaftesbury masked as Achitophel, the evil counsellor, and Buckingham as
Zimri. Feeling ran high. Shaftesbury was arrested and tried, but was
acquitted, and his friends struck off a medal in commemoration. In 1682,
therefore, came Dryden's second satire, the _Medal_. These two political
satires called forth in the fevered state of the times a host of
replies, two of the most scurrilous from the pens of Shadwell and
Settle. Of these two poor Whigs the first was drawn and quartered in
_MacFlecnoe_, while the two were yoked for castigation in Part II. of
_Absalom and Achitophel_, which appeared in 1682. Dryden possessed
preëminently the faculty for satire. He did not devote himself
exclusively to an abstract treatment, nor, like Pope, to bitter
personalities; he blends and combines the two methods most effectively.
Every one of his brisk, nervous couplets carries a sting; every distich
is a sound box on the ear.
We reach now a most interesting period in Dryden's career and one that
has provoked much controversy. In 1681 he published a long argument in
verse, entitled _Religio Laici_ (the Religion of a Layman), in which he
states his religious faith and his adherence to the Church of England.
When King James came to the throne in 1685 he made an immediate attempt
to establish the Roman Catholic faith; and now Dryden, too, turned
Romanist, and in 1687 supported his new faith in the long poetical
allegory, the _Hind and the Panther_. Of course his enemies cried
turncoat; and it certainly looked like it. Dryden was well into manhood
before the religious instinct stirred in him, and then, once waking, he
naturally walked in the beaten track. But these instincts, though roused
late, possessed the poet's impetuosity; and it was merely a natural
intensifying of the same impulse that had brought him into the Church of
England, which carried him to a more pronounced religious manifestation,
and landed him in the Church of Rome. His sincerity is certainly backed
by his acts, for when James had fled, and the staunch Protestants
William and Mary held the throne, he absolutely refused to recant, and
sacrificed his positions and emoluments. He was stripped of his royal
offices and pensions, and, bitter humiliation, the laurel, torn from his
brow, was placed on the head of that scorned jangler in verse, Shadwell.
Public-domain text, read in full here on John Shaqi.
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