THE REDEMPTIONER.
A STORY IN THREE SCENES.
PROLOGUE.
The stories we write are most of them love stories; but in the lives of
men there are also many stories that are not love stories: some, truly,
that are hate stories. The main incident of the one I am about to tell
I found floating down from the eighteenth century on the stream of
Maryland tradition. It serves to present some of our forefathers, not
as they seem in patriotic orations and reverent family traditions, but
as they appear to a student of the writings and prints of their own
age.
SCENE I.
The time was a warm autumn day in the year 1751. The place was a
plantation on the Maryland shore of the Potomac. A planter of about
thirty years of age, clad in buckskin shortclothes, sat smoking his
pipe, after his noonday meal, in the wide entry that ran through his
double log house from the south side to the north, the house being of
the sort called alliteratively "two pens and a passage." The planter's
wife sat over against him, on the other side of the passage, carding
home-grown cotton wool with hand cards. He had placed his shuck-bottom
chair so as to see down the long reach to the eastward, where the
widening Potomac spread itself between low-lying banks, with never a
brown hill to break the low horizon line. Every now and again he took
his cob pipe from his mouth, and scanned the distant water wistfully.
"I know what you're looking for, Mr. Browne," said his wife, as she
reversed her hand cards and rubbed the carded cotton between the smooth
backs of the two implements to make it into a roll for spinning.
"You're looking to see the Nancy Jane come sailing into the river one
of these days."
"That's just what I'm looking after," he answered.
"Why should you care?" she said. "You don't expect her to fetch you a
new bonnet and a hoop skirt seven feet wide." She laughed merrily at
her own speech, which, after all, was but a trifling exaggeration of
the width of a hoop skirt in that time.
Sanford Browne did not laugh, but took his pipe from his mouth, and
stood up a moment, straining his sight once more against the distant
horizon, where the green-blue water of the wide estuary melted into the
blue-green of the sky with hardly a line of demarcation. Then he sat
down and took a dry tobacco leaf lying on a stool beside him and
crushed it to powder by first chafing it between his open hands and
then grinding it in the palm of his left hand, rubbing it with the
thumb of his right in a mortar-and-pestle fashion.
Public-domain text, read in full here on John Shaqi.
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