Dumas, Alexandre, 1802-1870; Paris (France) -- Description and travel; Paris (France) -- History -- 19th century
FACSIMILE OF A MANUSCRIPT PAGE FROM ONE OF
DUMAS' PLAYS 37
D'ARTAGNAN 48
ALEXANDRE DUMAS, _Fils_ 64
TWO FAMOUS CARICATURES OF ALEXANDRE DUMAS 68
TOMB OF ABELARD AND HÉLOÏSE 82
GENERAL FOY'S RESIDENCE 84
D'ARTAGNAN, FROM THE DUMAS STATUE BY GUSTAVE DORÉ 123
PONT NEUF--PONT AU CHANGE 135
PORTRAIT OF HENRY IV. 143
GRAND BUREAU DE LA POSTE 154
THE ODÉON IN 1818 167
PALAIS ROYAL, STREET FRONT 183
77 RUE D'AMSTERDAM--RUE DE ST. DENIS 188
PLACE DE LA GRÈVE 197
TOUR DE ST. JACQUES LA BOUCHERIE (MÉRYON'S
ETCHING, "LE STRYGE") 198
HÔTEL DES MOUSQUETAIRES, RUE D'ARBRE SEC 207
D'ARTAGNAN'S LODGINGS, RUE TIQUETONNE 214
109 RUE DU FAUBOURG ST. DENIS (DÉSCAMPS' STUDIO) 221
NÔTRE DAME DE PARIS 235
PLAN OF LA CITÉ 236
CARMELITE FRIARY, RUE VAUGIRARD 246
PLAN OF THE LOUVRE 257
THE GARDENS OF THE TUILERIES 265
THE ORLEANS BUREAU, PALAIS ROYAL 268
THE FALL OF THE BASTILLE 284
INN OF THE PONT DE SÈVRES 302
BOIS DE BOULOGNE--BOIS DE VINCENNES--FORÊT DE
VILLERS-COTTERETS 315
CHÂTEAU OF THE DUCS DE VALOIS, CRÉPY 318
CASTLE OF PIERREFONDS 324
NÔTRE DAME DE CHARTRES 329
CASTLE OF ANGERS--CHÂTEAU OF BLOIS 333
Dumas' Paris
CHAPTER I.
A GENERAL INTRODUCTION
There have been many erudite works, in French and other languages,
describing the antiquities and historical annals of Paris from the
earliest times; and in English the mid-Victorian era turned out--there are
no other words for it--innumerable "books of travel" which recounted
alleged adventures, strewn here and there with bits of historical lore and
anecdotes, none too relevant, and in most cases not of undoubted
authenticity.
Of the actual life of the people in the city of light and learning, from
the times of Napoleon onward, one has to go to the fountainhead of written
records, the acknowledged masterworks in the language of the country
itself, the reports and _annuaires_ of various _sociétês_, _commissions_,
and what not, and collect therefrom such information as he finds may suit
his purpose.
Public-domain text, read in full here on John Shaqi.
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