Dumas, Alexandre, 1802-1870; Paris (France) -- Description and travel; Paris (France) -- History -- 19th century
"I was formerly called the Marquis de la Pailleterie, no doubt. It was my
father's name, and one of which I was very proud, being then unable to
claim a glorious one of my own make. But at present, when I am somebody, I
call myself Alexandre Dumas, and nothing more; and every one knows me,
yourselves among the rest--you, you absolute nobodies, who have come here
merely to boast, to-morrow, after having given me insult to-night, that
you have known the great Dumas. If such were your avowed ambition, you
could have satisfied it without having failed in the common courtesies of
gentlemen. There is no doubt, either, about my having been a secretary to
the Duc d'Orleans, and that I have received many favours from his family.
If you are ignorant of the meaning of the phrase, 'The memories of the
heart,' allow me, at least, to proclaim loudly that I am not, and that I
entertain toward this family of royal blood all the devotion of an
honourable man."
* * * * *
That Dumas was ever accused of making use of the work of others, of
borrowing ideas wherever he found them, and, indeed, of plagiarism
itself,--which is the worst of all,--has been mentioned before, and the
argument for or against is not intended to be continued here.
Dumas himself has said much upon the subject in defence of his position,
and the contemporary scribblers of the time have likewise had their
say--and it was not brief; but of all that has been written and said, the
following is pertinent and deliciously naïve, and, coming from Dumas
himself, has value:
"One morning I had only just opened my eyes when my servant entered my
bedroom and brought me a letter upon which was written the word _urgent_.
He drew back the curtains; the weather--doubtless by some mistake--was
fine, and the brilliant sunshine entered the room like a conqueror. I
rubbed my eyes and looked at the letter to see who had sent it, astonished
at the same time that there should be only one. The handwriting was quite
unknown to me. Having turned it over and over for a minute or two, trying
to guess whose the writing was, I opened it and this is what I found:
"'SIR:--I have read your "Three Musketeers," being well to do, and
having plenty of spare time on my hands--'
"('Lucky fellow!' said I; and I continued reading.)
Public-domain text, read in full here on John Shaqi.
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