Dumas, Alexandre, 1802-1870; Paris (France) -- Description and travel; Paris (France) -- History -- 19th century
Michelet's interest in Europe was centred on France and confined to _le
peuple_; a term in which he ofttimes included the _bourgeois_, as well he
might, though he more often regarded those who worked with their hands. He
repeatedly says: "I myself have been one of those workmen, and, although
I have risen to a different class, I retain the sympathies of my early
conditions."
Michelet's judgment was quite independent and original when he compared
the different classes; and he had a decided preference for that section
which cultivates the soil, though by no means did he neglect those engaged
in trade and manufacture. The _ouvrier industriel_ was as much entitled to
respect as the labourer in the fields, or even the small tenant-farmer. He
regretted, of course, the competition which turned _industrialisme_ into a
cut-throat policy. He furthermore had this to say concerning foreign
trade:
"Alsace and Lyons have conquered art and science to achieve beauty for
others.... The 'fairy of Paris' (the _modiste_) meets, from minute to
minute, the most unexpected flights of fancy--and she _or he_ does to-day,
be it recalled. _Les étrangers_ come in spite of themselves, and they buy
of her (France); _ils achètent_--but what?--patterns, and then go basely
home and copy them, to the loss, _but to the glory_, of France.
"The Englishman or the German buys a few pieces of goods at Paris or
Lyons; just as in letters France writes and Belgium sells."
On the whole, Michelet thought that the population was more successful in
tilling the soil than in the marts of the world; and there is this to be
said, there is no question but what France is a self-contained country,
though its arts have gone forth into the world and influenced all nations.
Paris is, ever has been, and proudly--perhaps rightly--thinks that it ever
will be, the artistic capital of the world.
Georges Avenel has recently delivered himself of a screed on the
"Mechanism of Modern Life," wherein are many pertinent, if sometimes
trite, observations on the more or less automatic processes by which we
are lodged, fed, and clothed to-day.
Public-domain text, read in full here on John Shaqi.
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