At those entertainments, Gagliano's presence was frequently requested.
He wrote out the speeches which the banker delivered. Many of the
"notabiles" were astounded by the exhibition of so much learning.
Petrarc, D'Anunzio and Negri furnished the best lines. They were like
written for the occasion. So much learning and so high a patriotism was
never expected from Rinaldini. A movement was soon on foot to call the
attention of the Italian King to Rinaldini's great devotion. The banker
anticipated being ennobled and became even more fastidious and
luxurious. The old bachelor began seriously to think of wedding bells
with some lady of nobility. He became an authority on art and
literature and his opinions were quoted by newspapers.
Gagliano, the poet, was worked harder and harder. He grew bitter and
frequently made caustic remarks. He also grew thinner and thinner. He
made real contributions, money from his own pocket, to the innumerable
war charities. The prices of food advanced in the restaurants.
On an evening as the whole cream of the colony was assembled at
Rinaldini's, the banker, to make an impression on his guests, began to
brag about his possessions.
"That chandelier in the vestibule cost me a thousand dollars. Yonder
carved table costs five hundred. Some of the bric-a-brac on the
mantelpiece costs thousands." And, pointing to a guitar standing in a
corner of the room, he remarked: "For that guitar I paid a hundred
dollars."
"That is not so much! Mine comes much higher than that!" interrupted
Gagliano lightly. Every one turned and looked at him. Every one knew
how poor he was.
"You see," Gagliano explained, "originally I paid for it only twenty
dollars. But in the six years I worked for Signor Rinaldini, I have
pawned it every Tuesday and redeemed it every Saturday so as to have it
for Sunday, and the interest and the fixed charge of twenty-five cents,
the usurer from the pawnshop forces me to pay, has brought up the cost
of the guitar to way beyond a hundred dollars."
Gagliano's words iced the enthusiasm and admiration for Rinaldini. The
poet lost his job. Rinaldini never received the coveted medal.
Treasureship of many societies was withdrawn. In six months he was
bankrupt. Gagliano died some months later.
WHY HER NAME IS MARGUERITE V. L. F. CLEMENT
Voila! Here is France--France in New York and the France of to-day. One
could forgive the Boche all the crimes he has committed but the one that
he has robbed the French of their gayety, of their lightness of heart.
Dark gray has taken the place of happy rose and green. Sparkling eyes
have been dulled and the gay ribbons pleated in the hair of women have
disappeared. A small black band on the sleeve tells the reason why. One
hears laughter no longer from the open windows and on the street.
Public-domain text, read in full here on John Shaqi.
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